ASIA MINOR Uncertain Greek Coin 4-3CenBC Apollo Nymph Rare UNPUBLISHED i50527

Item: i50527

Authentic Ancient

Coin of:

Greek city of

Bronze 9mm (1.03 grams) Struck circa 4th-3rd centuries B.C.

Reference: Isegrim -; Herman Coll. -; Erhart -; apparently unpublished.

Laureate head of Apollo facing slightly left.
Head of nymph right.

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In
Greek
and
Roman mythology
,
Apollo, is one of the most
important and diverse of the
Olympian deities
. The ideal of the
kouros
(a beardless youth), Apollo has been
variously recognized as a god of light and the sun; truth and prophecy;
archery
; medicine and healing; music, poetry,
and the arts; and more. Apollo is the son of

Zeus and Leto
, and has a
twin
sister, the chaste huntress
Artemis
. Apollo is known in Greek-influenced
Etruscan mythology
as Apulu. Apollo was
worshiped in both
ancient Greek
and
Roman religion
, as well as in the modern
Greco
–Roman
Neopaganism
.

As the patron of Delphi
(Pythian Apollo), Apollo was an
oracular
god — the prophetic deity of the
Delphic Oracle
. Medicine and healing were
associated with Apollo, whether through the god himself or mediated through his
son Asclepius
, yet Apollo was also seen as a god
who could bring ill-health and deadly
plague
as well as one who had the ability to
cure. Amongst the god’s custodial charges, Apollo became associated with
dominion over
colonists
, and as the patron defender of herds
and flocks. As the leader of the

Muses (Apollon Musagetes) and director of their choir, Apollo
functioned as the patron god of music and
poetry
.
Hermes
created the

lyre for him, and the instrument became a common
attribute
of Apollo. Hymns sung to Apollo were
called paeans
.

In Hellenistic times, especially during the third century BCE, as Apollo
Helios he became identified among Greeks with
Helios
,
god of the sun
, and his sister Artemis
similarly equated with
Selene
,
goddess of the moon
. In Latin texts, on the
other hand, Joseph Fontenrose declared himself unable to find any conflation of
Apollo with
Sol
among the
Augustan poets
of the first century, not even
in the conjurations of
Aeneas
and
Latinus
in
Aeneid
XII (161–215). Apollo and Helios/Sol
remained separate beings in literary and mythological texts until the third
century CE.

A
nymph (Greek:
νύμφη, nymphē) in
Greek mythology
and in
Latin mythology
is a minor female nature deity
typically associated with a particular location or landform. Different from
goddesses, nymphs are generally regarded as divine spirits who animate nature,
and are usually depicted as beautiful, young
nubile
maidens who love to dance and sing;
their amorous freedom sets them apart from the restricted and chaste wives and
daughters of the Greek
polis
. They are believed to dwell in
mountains and
groves
, by springs and rivers, and also in
trees and in valleys and cool
grottoes
. Although they would never die of old
age nor illness, and could give birth to fully immortal children if mated to a
god, they themselves were not necessarily immortal, and could be beholden to
death in various forms.
Charybdis
and
Scylla
were once nymphs.

Other nymphs, always in the shape of young maidens, were part of the
retinue
of a god, such as
Dionysus
,
Hermes
, or
Pan
, or a goddess, generally the huntress
Artemis
. Nymphs were the frequent target of
satyrs
.

Etymology

Nymphs are personifications of the creative and fostering activities of
nature, most often identified with the life-giving outflow of springs: as
Walter Burkert
(Burkert 1985:III.3.3) remarks,
“The idea that rivers are gods and springs divine nymphs is deeply rooted not
only in poetry but in belief and ritual; the worship of these deities is limited
only by the fact that they are inseparably identified with a specific locality.”

The
Greek

νύμφη has “bride” and “veiled” among its meanings: hence a marriageable
young woman. Other readers refer the word (and also
Latin
nubere and
German
Knospe) to a root expressing the
idea of “swelling” (according to
Hesychius
, one of the meanings of
νύμφη is “rose-bud”).

Adaptations

The Greek nymphs were spirits invariably bound to places, not unlike the
Latin genius loci
, and the difficulty of
transferring their cult may be seen in the complicated myth that brought
Arethusa
to Sicily. In the works of the
Greek-educated
Latin poets
, the nymphs gradually absorbed into
their ranks the indigenous Italian divinities of springs and streams (Juturna,
Egeria
,
Carmentis
,
Fontus
), while the
Lymphae
(originally Lumpae), Italian
water-goddesses, owing to the accidental similarity of their names, could be
identified with the Greek Nymphae. The mythologies of classicizing Roman poets
were unlikely to have affected the rites and cult of individual nymphs venerated
by country people in the springs and clefts of
Latiumm
. Among the
Roman
literate class, their sphere of influence
was restricted, and they appear almost exclusively as divinities of the watery
element. Nymphs are also portrayed as selfish and as attention seekers who walk
around naked in the middle of forests.