TRAJAN 115AD Ancient Rare Sestertius Large Roman Coin Good fortune Cult i53302

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Authentic Ancient

Coin of:


Trajan

Roman Emperor
: 98-117 A.D. –

Bronze Sestertius 33mm (25.96 grams) Rome mint: 115-116 A.D.
Reference: RIC 672, C 352
IMPCAESNERTRAIANOOPTIMOAVGGERDACPMTRPCOSVIPP – Laureate, draped bust right.
SENATVSPOPVLVQVEROMANVS – Felicitas standing left, holding caduceus and
cornucopia.
SC across fields.

You are bidding on the exact item pictured,

provided with a Certificate of Authenticity and Lifetime Guarantee of

Authenticity.

 

The caduceus from
Greek
“herald’s staff” is the staff carried by
Hermes
in
Greek mythology
. The same staff was also borne
by heralds in general, for example by
Iris
, the messenger of

Hera
. It is a short staff entwined by two
serpents
, sometimes surmounted by wings. In
Roman iconography it was often depicted being carried in the left hand of
Mercury
, the messenger of the gods, guide of
the dead and protector of merchants, shepherds, gamblers, liars, and thieves.

As a symbolic object it represents Hermes (or the Roman Mercury), and by
extension trades, occupations or undertakings associated with the god. In later
Antiquity
the caduceus provided the basis for
the
astrological symbol
representing the
planet Mercury
. Thus, through its use in
astrology
and
alchemy
, it has come to denote the
elemental metal
of the same name.

By extension of its association with Mercury/Hermes, the caduceus is also a
recognized symbol of commerce and negotiation, two realms in which balanced
exchange and reciprocity are recognized as ideals. This association is ancient,
and consistent from the Classical period to modern times. The caduceus is also
used as a symbol representing printing, again by extension of the attributes of
Mercury (in this case associated with writing and eloquence).

The caduceus is sometimes mistakenly used
as a symbol of medicine and/or medical practice
,
especially in
North America
, because of widespread confusion
with the traditional medical symbol, the
rod of Asclepius
, which has only a single snake
and no wings.

The term kerukeion denoted any herald’s staff, not necessarily
associated with Hermes in particular.

Lewis Richard Farnell
(1909) in his study of
the cult of Hermes assumed that the two snakes had simply developed out of
ornaments of the shepherd’s crook used by heralds as their staff. This view has
been rejected by later authors pointing to parallel iconography in the Ancient
Near East. It has been argued that the staff or wand entwined by two snakes was
itself representing a god in the pre-anthropomorphic era. Like the
herm
or
priapus
, it would thus be a predecessor of the
anthropomorphic Hermes of the classical era.

Ancient Near East

William Hayes Ward
(1910) discovered that
symbols similar to the classical caduceus sometimes appeared on
Mesopotamian cylinder seals
. He suggested the
symbol originated some time between 3000 and 4000 BCE, and that it might have
been the source of the Greek caduceus.[10]
A.L. Frothingham incorporated Dr. Ward’s research into his own work, published
in 1916, in which he suggested that the prototype of Hermes was an “Oriental
deity of Babylonian extraction” represented in his earliest form as a snake god.
From this perspective, the caduceus was originally representative of Hermes
himself, in his early form as the Underworld god
Ningishzida
, “messenger” of the “Earth Mother”.
The caduceus is mentioned in passing by
Walter Burkert
[12]
as “really the image of copulating snakes taken over from Ancient Near Eastern
tradition”.

In Egyptian iconography, the

Djed
 pillar is depicted as containing a snake in a frieze of the
Dendera Temple complex
.

The rod of Moses
and the
brazen serpent
are frequently compared to the
caduceus, especially as Moses is acting as a messenger of God to the
Pharaoh
at the point in the narrative where he
changes his staff into a serpent.[13]

Classical antiquity

Mythology

The
Homeric hymn
 to Hermes relates how Hermes
offered his lyre fashioned from a tortoise shell as compensation for the
cattle he stole
from his half brother
Apollo
. Apollo in return gave Hermes the
caduceus as a gesture of friendship. The association with the serpent thus
connects Hermes to Apollo
, as later the serpent was associated
with Asclepius
, the “son of Apollo”. The association
of Apollo with the serpent is a continuation of the older
Indo-European

dragon
-slayer motif.
Wilhelm Heinrich Roscher
 (1913) pointed out
that the serpent as an attribute of both Hermes and Asclepius is a variant of
the “pre-historic semi-chthonic serpent hero known at Delphi as
Python
“, who in classical mythology is slain by
Apollo.

One Greek myth of origin
of the caduceus is part of the
story of Tiresias
, who found two snakes copulating and
killed the female with his staff. Tiresias was immediately turned into a woman,
and so remained until he was able to repeat the act with the male snake seven
years later. This staff later came into the possession of the god Hermes, along
with its transformative powers.

Another myth suggests that Hermes (or Mercury) saw two serpents entwined in
mortal combat. Separating them with his wand he brought about peace between
them, and as a result the wand with two serpents came to be seen as a sign of
peace.

In Rome, Livy
refers to the caduceator who
negotiated peace arrangements under the diplomatic protection of the caduceus he
carried.

Iconography

In some vase paintings ancient depictions of the Greek kerukeion are
somewhat different from the commonly seen modern representation. These
representations feature the two snakes atop the staff (or rod), crossed to
create a circle with the heads of the snakes resembling horns. This old graphic
form, with an additional crossbar to the staff, seems to have provided the basis
for the graphical
sign of Mercury
(☿) used in
Greek astrology
 from Late Antiquity.

Use in alchemy
and occultism

As the symbol of both the
planet
and the
metal
named for Mercury, the caduceus became an
important symbol in
alchemy
.

The
crucified serpent
was also revived as an
alchemical symbol for
fixatio
, and
John Donne
 (Sermons 10:190) uses
“crucified Serpent” as a title of
Jesus Christ
.

Symbol of commerce

A simplified variant of the caduceus is to be found in dictionaries,
indicating a “commercial term” entirely in keeping with the association of
Hermes with commerce. In this form the staff is often depicted with two winglets
attached and the snakes are omitted (or reduced to a small ring in the middle).
The Customs Service of the former
German Democratic Republic
employed the
caduceus, bringing its implied associations with thresholds, translators, and
commerce, in the service medals they issued their staff.

Misuse as
symbol of medicine

It is relatively common, especially in the United States, to find the
caduceus, with its two snakes and wings, used as a symbol of medicine instead of
the correct rod of Asclepius, with only a single snake. This usage is erroneous,
popularised largely as a result of the adoption of the caduceus as its insignia
by the
US Army medical corps
in 1902 at the insistence
of a single officer (though there are conflicting claims as to whether this was
Capt. Frederick P. Reynolds or Col. John R. van Hoff).

The rod of Asclepius is the dominant symbol for professional healthcare
associations in the United States. One survey found that 62% of professional
healthcare associations used the rod of Asclepius as their symbol. The same
survey found that 76% of commercial healthcare organizations used the Caduceus
symbol. The author of the study suggests the difference exists because
professional associations are more likely to have a real understanding of the
two symbols, whereas commercial organizations are more likely to be concerned
with the visual impact a symbol will have in selling their products.

The initial errors leading to its adoption and the continuing confusion it
generates are well known to medical historians. The long-standing and abundantly
attested historical associations of the caduceus with commerce, theft,
deception, and death are considered by many to be inappropriate in a symbol used
by those engaged in the healing arts. This has occasioned significant criticism
of the use of the caduceus in a medical context.

 

The cornucopia (from Latin cornu copiae) or horn of plenty
is a symbol of abundance and nourishment, commonly a large horn-shaped container
overflowing with produce, flowers, nuts, other edibles, or wealth in some form.
Originating in
classical antiquity
, it has continued as a
symbol in
Western art
, and it is particularly associated
with the
Thanksgiving
holiday in
North America
.

Allegorical
depiction of the Roman
goddess
Abundantia
with a cornucopia, by
Rubens
(ca. 1630)

In Mythology

Mythology
offers multiple
explanations of the origin
of the cornucopia.
One of the best-known involves the birth and nurturance of the infant

Zeus
, who had to be hidden from his devouring father
Cronus
. In a cave on
Mount Ida
on the island of
Crete
, baby Zeus was cared for and protected by
a number of divine attendants, including the goat
Amalthea
(“Nourishing Goddess”), who fed him
with her milk. The suckling future king of the gods had unusual abilities and
strength, and in playing with his nursemaid accidentally broke off one of her
horns
, which then had the divine power to
provide unending nourishment, as the foster mother had to the god.

In another myth, the cornucopia was created when
Heracles
(Roman
Hercules
) wrestled with the river god
Achelous
and wrenched off one of his horns;
river gods were sometimes depicted as horned. This version is represented in the

Achelous and Hercules

mural painting
by the
American Regionalist
artist
Thomas Hart Benton
.

The cornucopia became the attribute of several
Greek
and
Roman deities
, particularly those associated
with the harvest, prosperity, or spiritual abundance, such as personifications
of Earth (Gaia
or
Terra
); the child
Plutus
, god of riches and son of the grain
goddess Demeter
; the
nymph

Maia
; and
Fortuna
, the goddess of luck, who had the power
to grant prosperity. In
Roman Imperial cult
, abstract Roman deities who
fostered peace (pax
Romana
)
and prosperity were also depicted with a cornucopia,
including Abundantia
, “Abundance” personified, and
Annona
, goddess of the
grain supply to the city of Rome
.
Pluto
, the classical ruler of the underworld in
the
mystery religions
, was a giver of agricultural,
mineral and spiritual wealth, and in art often holds a cornucopia to distinguish
him from the gloomier Hades
, who holds a
drinking horn
instead.

Modern depictions

In modern depictions, the cornucopia is typically a hollow, horn-shaped
wicker basket filled with various kinds of festive
fruit
and
vegetables
. In North America, the cornucopia
has come to be associated with
Thanksgiving
and the harvest. Cornucopia is
also the name of the annual November Wine and Food celebration in
Whistler
, British Columbia, Canada. Two
cornucopias are seen in the
flag
and
state seal
of
Idaho
. The Great
Seal
of
North Carolina
depicts Liberty standing and
Plenty holding a cornucopia. The coat of arms of
Colombia
,
Panama
,

Peru
and
Venezuela
, and the Coat of Arms of the State of
Victoria, Australia
, also feature the
cornucopia, symbolising prosperity.

The horn of plenty is used on body art and at Halloween, as it is a symbol of
fertility, fortune and abundance.

 

In
ancient Roman culture
, felicitas
(from the Latin

adjective
felix, “fruitful, blessed,
happy, lucky”) is a condition of divinely inspired productivity, blessedness, or
happiness
. Felicitas could encompass
both a woman’s fertility, and a general’s luck or good fortune. The divine
personification of Felicitas was
cultivated
as a goddess. Although felicitas
may be translated as “good luck,” and the goddess Felicitas shares some
characteristics and attributes with
Fortuna
, the two were distinguished in
Roman religion
.Fortuna was unpredictable and
her effects could be negative, as the existence of an altar to Mala Fortuna
(“Bad Luck”) acknowledges.Felicitas, however, always had a positive
significance. She appears with

several epithets
that focus on aspects of her divine power.

Felicitas had a temple in Rome as early as the mid-2nd century BC, and during
the Republican era
was honored at two
official festivals
of
Roman state religion
, on July 1 in conjunction
with
Juno
and October 9 as Fausta Felicitas.
Felicitas continued to play an important role in
Imperial cult
, and was frequently portrayed on
coins
as a symbol of the wealth and prosperity
of the Roman Empire
. Her primary attributes are the
caduceus
and
cornucopia
.The English word “felicity” derives
from felicitas.

As virtue or quality


Phallic

relief
with the inscription “Felicitas
dwells here”

In its religious sense, felix means “blessed, under the protection or
favour of the gods; happy.” That which is felix has achieved the
pax divom
,
a state of harmony or peace with
the divine world. The word derives from
Indo-European
*dhe(i)l, meaning “happy,
fruitful, productive, full of nourishment.” Related Latin words include
femina
, “woman” (a person who provides nourishment or suckles); felo,
“to suckle” in regard to an infant; filius, “son” (a person suckled); and
probably fello, fellare, “to perform
fellatio
“, with an originally non-sexual
meaning of “to suck”. The continued magical association of sexual potency,
increase, and general good fortune in productivity is indicated by the
inscription Hic habitat Felicitas (“Felicitas dwells here”)[8]
on an
apotropaic
relief of a
phallus
at a bakery in
Pompeii
.

In archaic Roman culture, felicitas was a quality expressing the close
bonds between
religion and agriculture
. Felicitas was
at issue when the
suovetaurilia
sacrifice conducted by
Cato the Elder
as
censor
in 184 BC was challenged as having been
unproductive, perhaps for
vitium
, ritual error. In the following
three years Rome had been plagued by a number of ill omens and prodigies (prodigia),
such as severe storms, pestilence, and “showers of blood,” which had required a
series of expiations (supplicationes).
The speech Cato gave to justify himself is known as the Oratio de lustri sui
felicitate
, “Speech on the Felicitas of his
Lustrum
“, and survives only as a possible
quotation by a later source. Cato says that a lustrum should be found to
have produced felicitas “if the crops had filled up the storehouses, if
the vintage had been abundant, if the olive oil had flowed deliberately from the
groves”, regardless of whatever else might have occurred. The efficacy of a
ritual might be thus expressed as its felicitas.

The ability to promote felicitas became proof of one’s excellence and
divine favor. Felicitas was simultaneously a divine gift, a quality that
resided within an individual, and a contagious capacity for generating
productive conditions outside oneself: it was a form of “charismatic
authority”. Cicero
lists felicitas as one of the
four virtues of the exemplary general, along with knowledge of
military science
(scientia rei militaris),

virtus
(both “valor” and “virtue”), and
auctoritas
, “authority.” Virtus was
a regular complement to felicitas, which was not thought to attach to
those who were unworthy. Cicero attributed felicitas particularly to
Pompeius Magnus (“Pompey the Great”)
, and
distinguished this felicitas even from the divine good luck enjoyed by
successful generals such as
Fabius Maximus
,
Marcellus
,
Scipio the Younger
and
Marius
.

The sayings (sententiae) of
Publilius Syrus
are often attached to divine
qualities, including Felicitas: “The people’s Felicitas is powerful when she is
merciful” (potens misericors publica est Felicitas).

Epithets

Epithets
of Felicitas include:


  • Augusta
    , the goddess in her association
    with the emperor and
    Imperial cult
    .
  • Fausta (“Favored, Fortunate”), a state divinity
    cultivated
    on October 9 in conjunction with
    Venus Victrix
    and the Genius Populi
    Romani
    (“Genius
    of the Roman People, also known as the Genius Publicus).
  • Publica, the “public” Felicitas; that is, the aspect of the
    divine force that was concerned with the res publica or commonwealth,
    or with the Roman People (Populus Romanus).
  • Temporum, the Felicitas “of the times”, a title which emphasize
    the felicitas being experienced in current circumstances.

Republic

The
cult
of Felicitas is first recorded in the
mid-2nd century BC, when a
temple
was dedicated to her by
Lucius Licinius Lucullus
, grandfather of the
famous Lucullus
, using booty from his military
campaigns in
Spain
in 151–150 BC. Predecessor to a noted
connoisseur of art, Lucullus obtained and dedicated several statues looted by
Mummius
from
Greece
, including works by
Praxiteles
: the Thespiades, a statue
group of the
Muses
brought from
Thespiae
, and a
Venus
. This Temple of Felicitas was among
several that had a secondary function as art museums, and was recommended by
Cicero
along with the
Fortuna Huiusce
Diei
Temple of
for those who enjoyed viewing art but lacked the means to
amass private collections. The temple was located in the
Velabrum
in the
Vicus Tuscus
of the
Campus Martius
, along a route associated with
triumphs
: the axle of
Julius Caesar
‘s triumphal
chariot
in 46 BC is supposed to have broken in
front of it. The temple was destroyed by a fire during the reign of
Claudius
, though the Muses were rescued. It was
not rebuilt at this site.

Sulla identified himself so closely with the quality of felicitcas
that he adopted the
agnomen
(nickname) Felix. His
domination as
dictator
resulted from civil war and
unprecedented military violence within the city of Rome itself, but he
legitimated his authority by claiming that the mere fact of his victory was
proof he was felix and enjoyed the divine favor of the gods. Republican
precedent was to regard a victory as belonging to the Roman people as a whole,
as represented by the
triumphal procession
at which the honored
general submitted public offerings at the
Temple of Jupiter Optimus Maximus
at the
Capitol
, and Sulla thus established an
important theological element for the later authority of the emperor. Although
he established no new temple for Felicitas, he celebrated games (ludi
circenses
)
in her honor.

On July 1 and October 9, Felicitas received a sacrifice in Capitolio,
on the
Capitoline Hill
, on the latter date as
Fausta Felicitas
in conjunction with the
Genius Publicus
(“Public
Genius
“) and
Venus Victrix
. These observances probably took
place at an altar or small shrine (aedicula),
not a separate
temple precinct
. The
Acts of the Arval Brothers
(1st century AD)
prescribe a cow as the sacrifice for Felicitas. Pompey established a shrine for
Felicitas at
his new theater and temple complex
, which used
the steps to the Temple of Venus Victrix as seating. Felicitas was cultivated
with Honor
and Virtue, and she may have shared her
shrine there with
Victory
, as she did in the Imperial era as
Felicitas Caesaris
(Caesar’s Felicitas) at
Ameria
. Pompey’s collocation of deities may
have been intended to parallel the Capitoline grouping.

A fourth cult site for Felicitas in Rome had been planned by Caesar, and
possibly begun before his death. Work on the temple was finished by
Lepidus
on the site of the
Curia Hostilia
, which had been restored by
Sulla, destroyed by fire in 52 BC, and demolished by Caesar in 44 BC. This
temple seems not to have existed by the time of
Hadrian
. Its site probably lies under the
church of
Santi Luca e Martina
.   v  It has been
suggested that an
Ionic capital
and a

tufa
wall uncovered at the site are the only known remains of the
temple.

Felicitas was a
watchword
used by Julius Caesar’s troops at the
Battle of Thapsus
, the names of deities and
divine personifications being often recorded for this purpose in the late
Republic.
Felicitas Iulia
(“Julian Felicitas”) was
the name of a
colony
in
Roman Spain
that was refounded under Caesar and
known also as Olisipo
, present-day
Lisbon
, Portugal.

During the Republic, only divine personifications known to have had a temple
or public altar were featured on coins, among them Felicitas. On the only extant
Republican coin type, Felicitas appears as a bust and wearing a
diadem
.

Empire


 

Felicitas Temporum represented by a pair of cornucopiae on a
denarius
(193-194 AD) issued under
Pescennius Niger

A calendar from Cumae
records that a
supplicatio
was celebrated on April 16 for
the Felicitas of the Empire, in honor of the day
Augustus
was first acclaimed
imperator
. In extant Roman coinage,
Felicitas appears with a
caduceus
only during the Imperial period. The
earliest known example is Felicitas Publica on a
dupondius
issued under
Galba
. Felicitas Temporum (“Prosperity
of the Times”), reflecting a
Golden Age
ideology, was among the innovative
virtues that began to appear during the reigns of
Trajan
and
Antoninus Pius
.
Septimius Severus
, whose reign followed the
exceedingly brief tenure of
Pertinax
and unsatisfactory conditions under
Commodus
, used coinage to express his efforts
toward restoring the
Pax Romana
, with themes such as Felicitas
Temporum
and Felicitas Saeculi, “Prosperity of the Age” (saeculum),
prevalent in the years 200 to 202. Some Imperial coins use these phrases with
images of women and children in the emperor’s family.

When the Empire came under Christian rule, the personified virtues that had
been cultivated as deities could be treated as abstract concepts. Felicitas
Perpetua Saeculi
(“Perpetual Blessedness of the Age”) appears on a coin
issued under
Constantine
, the first emperor to convert to
Christianity.

In

Roman mythology

, Felicitas (meaning “good luck” or “fortune”) was the

goddess or personification of good luck and success. The word felicitas, “luck”, is also the source of the word and name

felicity. She played an important

role in

Rome’s state religion

during the

empire
,

and was frequently portrayed on

coins

. She became a prominent symbol of the wealth and prosperity of the

Roman

Empire
.

Felicitas was unknown before the mid-2nd century BC, when a temple was

dedicated to her in the

Velabrum
in

the Campus Martius

by

Lucius Licinius Lucullus

, using booty from his 151–150 BC campaign in Spain.

The temple was destroyed by a fire during the reign of

Claudius

and was never rebuilt.

Another temple in Rome

was planned by

Julius Caesar

and was erected after his death by

Marcus Aemilius Lepidus

on the site of the

Curia Hostilia

, which had been restored by

Lucius Cornelius Sulla

but demolished by Caesar in 44 BC. This temple no

longer existed by the time of

Hadrian
, and

its site probably lies under the church of

Santi Martina e Luca

.

Marcus Ulpius Nerva Traianus, commonly known as
Trajan
(18 September, 53 – 8 August, 117), was a
Traianus Glyptothek Munich 336.jpgRoman
Emperor
who reigned from AD 98 until his death in AD 117. Born
Marcus Ulpius Traianus
into a non-patrician
family in the
Hispania Baetica
province (modern day
Spain
), Trajan rose to prominence during the
reign of emperor
Domitian
, serving as a general in the
Roman army
along the
German frontier
, and successfully crushing the
revolt of
Antonius Saturninus
in 89. On September 18, 96,
Domitian was succeeded by
Marcus Cocceius Nerva
, an old and childless
senator who proved to be unpopular with the army. After a brief and tumultuous
year in power, a revolt by members of the
Praetorian Guard
compelled him to adopt the
more popular Trajan as his heir and successor. Nerva died on January 27, 98, and
was succeeded by his adopted son without incident.

As a civilian administrator, Trajan is best known for his
extensive public building program, which reshaped the city of

Rome
and left multiple enduring landmarks such as
Trajan’s Forum
,
Trajan’s Market
and
Trajan’s Column
. It was as a military commander
however that Trajan celebrated his greatest
triumphs
. In 101, he launched a
punitive expedition
into the kingdom of
Dacia
against king
Decebalus
, defeating the Dacian army near
Tapae
in 102, and finally conquering Dacia
completely in 106. In 107, Trajan pushed further east and annexed the
Nabataean kingdom
, establishing the province of
Arabia Petraea
. After a period of relative
peace within the Empire, he launched his final campaign in 113 against
Parthia
, advancing as far as the city of

Susa
in 116, and expanding the Roman Empire to its greatest extent.
During this campaign Trajan was struck by illness, and late in 117, while
sailing back to Rome, he died of a
stroke
on

August 9
, in the city of
Selinus
. He was
deified
by the Senate and his ashes were laid
to rest under
Trajan’s Column
. He was succeeded by his
adopted son (not having a biological heir)
Publius Aelius Hadrianus
—commonly known as
Hadrian.

As an emperor, Trajan’s reputation has endured – he is one of
the few rulers whose reputation has survived the scrutiny of nineteen centuries
of history. Every new emperor after him was honoured by the Senate with the
prayer felicior Augusto, melior Traiano, meaning “may he be luckier than
Augustus
and better than Trajan”. Among
medieval
Christian theologians, Trajan was
considered a
virtuous pagan
, while the 18th century
historian
Edward Gibbon
popularized the notion of the
Five Good Emperors
, of which Trajan was the
second.


Early life and rise to power

Trajan was born on September 18, 53 in the Roman province of
Hispania Baetica
(in what is now
Andalusia
in modern Spain), a province that was
thoroughly Romanized and called southern Hispania, in the city of
Italica
, where the
Italian
families were paramount. Of
Italian
stock himself, Trajan is frequently but
misleadingly designated the first provincial emperor.

Trajan was the son of
Marcia
and
Marcus Ulpius Traianus
, a prominent
senator
and general from the famous
Ulpia
gens
.
Trajan himself was just one of many well-known Ulpii in a line that continued
long after his own death. His elder sister was
Ulpia Marciana
and his niece was
Salonina Matidia
. The
patria
of the Ulpii was
Italica
, in Spanish Baetica, where their
ancestors had settled late in the third century B.C. This indicates that the
Italian origin was paramount, yet it has recently been cogently argued that the
family’s ancestry was local, with Trajan senior actually a Traius who was
adopted into the family of the Ulpii.

As a young man, he rose through the ranks of the
Roman army
, serving in some of the most
contentious parts of the Empire’s frontier. In 76–77, Trajan’s father was
Governor
of
Syria
(Legatus
pro praetore Syriae
), where Trajan himself remained as
Tribunus
legionis
. Trajan was nominated as
Consul
and brought
Apollodorus of Damascus
with him to

Rome
around 91. Along the
Rhine River
, he took part in the Emperor
Domitian
‘s wars while under Domitian’s
successor, Nerva
, who was unpopular with the army and
needed to do something to gain their support. He accomplished this by naming
Trajan as his adoptive son and successor in the summer of 97. According to the

Augustan History
, it was the future Emperor
Hadrian
who brought word to Trajan of his
adoption. When Nerva died on January 27, 98, the highly respected Trajan
succeeded without incident.

 His
reign

The new Roman emperor was greeted by the people of Rome with
great enthusiasm, which he justified by governing well and without the
bloodiness that had marked Domitian’s reign. He freed many people who had been
unjustly imprisoned by Domitian and returned a great deal of private property
that Domitian had confiscated; a process begun by Nerva before his death. His
popularity was such that the
Roman Senate
eventually bestowed upon Trajan
the honorific
of optimus, meaning “the
best”.

Dio Cassius
, sometimes known as Dio, reveals
that Trajan drank heartily and was
involved with boys
. “I know, of course, that he
was devoted to boys and to wine, but if he had ever committed or endured any
base or wicked deed as the result of this, he would have incurred censure; as it
was, however, he drank all the wine he wanted, yet remained sober, and in his
relation with boys he harmed no one.” This sensibility was one that influenced
his governing on at least one occasion, leading him to favour the king of Edessa
out of appreciation for his handsome son: “On this occasion, however,
Abgarus
, induced partly by the persuasions of
his son Arbandes, who was handsome and in the pride of youth and therefore in
favour with Trajan, and partly by his fear of the latter’s presence, he met him
on the road, made his apologies and obtained pardon, for he had a powerful
intercessor in the boy.”

 Dacian
Wars

It was as a military commander that Trajan is best known to
history, particularly for his conquests in the
Near East
, but initially for the two wars
against Dacia
— the reduction to client kingdom
(101-102), followed by actual incorporation to the Empire of the trans-Danube
border kingdom of Dacia—an area that had troubled Roman thought for over a
decade with the unfavourable (and to some, shameful) peace negotiated by
Domitian
‘s ministers In the first war c.
March–May 101, he launched a vicious attack into the kingdom of
Dacia
with four legions, crossing to the
northern bank of the
Danube River
on a stone bridge he had built,
and defeating the Dacian army near or in a
mountain pass
called
Tapae
(see
Second Battle of Tapae
). Trajan’s troops were
mauled in the encounter, however and he put off further campaigning for the year
to heal troops, reinforce, and regroup.


Trajan’s Column
.

During the following winter, King
Decebalus
launched a counter-attack across the
Danube
further downstream, but this was
repulsed. Trajan’s army advanced further into Dacian territory and forced King
Decebalus to submit to him a year later, after Trajan took the Dacian
capital/fortress of
Sarmizegethusa
. The Emperor Domitian had
campaigned against
Dacia from 86 to 87
without securing a decisive
outcome, and Decebalus had brazenly flouted the terms of the peace (89 AD) which
had been agreed on conclusion of this campaign.

Trajan now returned to Rome in triumph and was granted the
title Dacicus Maximus. The victory was celebrated by the
Tropaeum Traiani
. Decebalus though, after being
left to his own devices, in 105 undertook an invasion against Roman territory by
attempting to stir up some of the tribes north of the river against her.

Trajan took to the field again and after building with the
design of
Apollodorus of Damascus
his
massive bridge over the Danube
, he conquered
Dacia completely in 106. Sarmizegethusa was destroyed,
Decebalus
committed
suicide
, and his severed head was exhibited in
Rome on the steps leading up to the
Capitol
. Trajan built a new city, “Colonia
Ulpia Traiana Augusta Dacica Sarmizegetusa”, on another site than the previous
Dacian Capital, although bearing the same full name, Sarmizegetusa. He resettled
Dacia with Romans and annexed it as a province of the Roman Empire. Trajan’s
Dacian campaigns benefited the Empire’s finances through the acquisition of
Dacia’s gold mines. The victory is celebrated by
Trajan’s Column
.

 Expansion
in the East

At about the same time
Rabbel II Soter
, one of Rome’s client kings,
died. This event might have prompted the annexation of the
Nabataean kingdom
, although the manner and the
formal reasons for the annexation are unclear. Some epigraphic evidence suggests
a military operation, with forces from
Syria
and
Egypt
. What is clear, however, is that by 107,
Roman legions were stationed in the area around
Petra
and
Bostra
, as is shown by a papyrus found in
Egypt. The empire gained what became the province of
Arabia Petraea
(modern southern
Jordan
and north west
Saudi Arabia
).

 Period
of peace

The next seven years, Trajan ruled as a civilian emperor, to
the same acclaim as before. It was during this time that he corresponded with
Pliny the Younger
on the subject of how to deal
with the
Christians
of
Pontus
, telling Pliny to leave them alone
unless they were openly practicing the religion. He built several new buildings,
monuments and roads in
Italia
and his native
Hispania
. His magnificent complex in Rome
raised to commemorate his victories in
Dacia
(and largely financed from that
campaign’s loot)—consisting of a
forum
,
Trajan’s Column
, and Trajan’s Market still
stands in Rome today. He was also
a prolific builder of triumphal arches
, many of
which survive, and rebuilder of roads (Via
Traiana
and
Via Traiana Nova
).

One notable act of Trajan was the hosting of a three-month
gladiatorial
festival in the great
Colosseum
in Rome (the precise date of this
festival is unknown). Combining chariot racing, beast fights and close-quarters
gladiatorial bloodshed, this gory spectacle reputedly left 11,000 dead (mostly
slaves and criminals, not to mention the thousands of ferocious beasts killed
alongside them) and attracted a total of five million spectators over the course
of the festival.

Another important act was his formalisation of the
Alimenta
, a welfare program that helped orphans and poor children throughout
Italy. It provided general funds, as well as food and subsidized education. The
program was supported initially by funds from the Dacian War, and then later by
a combination of estate taxes and philanthropy.[13].
Although the system is well documented in literary sources and contemporary
epigraphy, its precise aims are controversial and have generated considerable
dispute between modern scholars: usually, it’s assumed that the programme
intended to bolster citzen numbers in Italy. However, the fact that it was
subsidized by means of interest payments on loans made by landowners restricted
it to a small percentage of potential welfare recipients (Paul
Veyne
has assumed that, in the city of
Veleia
, only one child out of ten was an actual
beneficiary) – therefore, the idea, advanced by
Moses I. Finley
, that the whole scheme was at
most a form of random charity, a mere imperial benevolence[14].

 Maximum
extent of the Empire


The extent of the Roman Empire under Trajan (117)

In 113, he embarked on his last campaign, provoked by
Parthia
‘s decision to put an unacceptable king
on the throne of Armenia
, a kingdom over which the two great
empires had shared
hegemony
since the time of

Nero
some fifty years earlier. Some modern historians also attribute
Trajan’s decision to wage war on Parthia to economic motives: to control, after
the annexation of Arabia, Mesopotamia and the coast of the Persian Gulf, and
with it the sole remaining receiving-end of the Indian trade outside Roman
control – an attribution of motive other historians find absurd, as seeing a
commercial motive in a campaign triggered by the lure of territorial annexation
and prestige – by the way, the only motive for Trajan’s actions ascribed by Dio
Cassius in his description of the events. Other modern historians, however,
think that Trajan’s original aim was quite modest: to assure a more defensible
Eastern frontier for the Roman Empire, crossing across Northern Mesopotamia
along the course of the river
Khabur
in order to offer cover to a Roman
Armenia.

Trajan marched first on Armenia, deposed the
Parthian-appointed king (who was afterwards murdered while kept in the custody
of Roman troops in an unclear incident) and annexed it to the Roman Empire as a
province, receiving in passing the acknowledgement of Roman hegemony by various
tribes in the Caucasus and on the Eastern coast of the Black Sea – a process
that kept him busy until the end of 114].
The cronology of subsequent events is uncertain, but it’s generally believed
that early in 115 Trajan turned south into the core Parthian hegemony, taking
the Northern Mesopotamian cities of
Nisibis
and
Batnae
and organizing a province of
Mesopotamia
in the beginning of 116, when coins
were issued announcing that Armenia and Mesopotamia had been put under the
authority of the Roman people.

In early 116, however, Trajan began to toy with the conquest
of the whole of Mesopotamia, an overambitious goal that eventually backfired on
the results of his entire campaign: One Roman division crossed the
Tigris
into
Adiabene
, sweeping South and capturing
Adenystrae
; a second followed the river South,
capturing Babylon
; while Trajan himself sailed down the
Euphrates
, then dragged his fleet overland into
the Tigris, capturing
Seleucia
and finally the Parthian capital of
Ctesiphon
. He continued southward to the
Persian Gulf
, receiving the submission of
Athambelus, the ruler of
Charax
, whence he declared Babylon a new
province of the Empire, sent the Senate a laurelled letter declaring the war to
be at a close and lamented that he was too old to follow in the steps of
Alexander the Great
and reach the distant
India
itself. A province of
Assyria
was also proclaimed, apparently
covering the territory of Adiabene, as well as some measures seem to have been
considered about the fiscal administration of the Indian trade.

However, as Trajan left the Persian Gulf for Babylon – where
he intended to offer sacrifice to Alexander in the house where he had died in
323 B.C.- a sudden outburst of Parthian resistance, led by a nephew of the
Parthian king, Sanatrukes, imperilled Roman positions in Mesopotamia and
Armenia, something Trajan sought to deal with by forsaking direct Roman rule in
Parthia proper, at least partially: later in 116, after defeating a Parthian
army in a battle where Sanatrukes was killed and re-taking Seleucia, he formally
deposed the Parthian king
Osroes I
and put his own puppet ruler
Parthamaspates
on the throne. That done, he
retreated North in order to retain what he could of the new provinces of Armenia
and Mesopotamia.


Bust of Trajan,
Glyptothek
,
Munich
.

It was at this point that Trajan’s health started to fail
him. The fortress city of
Hatra
, on the
Tigris
in his rear, continued to hold out
against repeated Roman assaults. He was personally present at the
siege
and it is possible that he suffered a
heat stroke while in the blazing heat. Shortly afterwards, the

Jews
inside the Eastern Roman Empire rose up in rebellion once more,
as did the people of Mesopotamia. Trajan was forced to withdraw his army in
order to put down the revolts. Trajan saw it as simply a temporary setback, but
he was destined never to command an army in the field again, turning his Eastern
armies over to the high ranking legate and governor of Judaea,
Lusius Quietus
, who in early 116 had been in
charge of the Roman division who had recovered Nisibis and
Edessa
from the rebels; Quietus was promised
for this a consulate in the following year – when he was actually put to death
by Hadrian
, who had no use for a man so committed
to Trajan’s aggressive policies.

Early in 117, Trajan grew ill and set out to sail back to
Italy. His health declined throughout the spring and summer of 117, something
publicy acknowledged by the fact that a bronze bust displayed at the time in the
public baths of
Ancyra
showed him clearly aged and edemaciated.
By the time he had reached Selinus in
Cilicia
which was afterwards called
Trajanopolis, he suddenly died from
edema
on August 9. Some say that he had adopted
Hadrian
as his successor, but others that it
was his wife
Pompeia Plotina
who hired someone to
impersonate him after he had died.

Hadrian
, upon becoming ruler, recognized the
abandonment of Mesopotamia and restored Armenia – as well as
Osroene
– to the Parthian hegemony under Roman
suzerainty – a telling sign the Roman Empire lacked the means for pursuing
Trajan’s overambitious goals. However, all the other territories conquered by
Trajan were retained. Trajan’s ashes were laid to rest underneath Trajan’s
column, the monument commemorating his success.


The
Alcántara Bridge
, widely hailed as
a masterpiece of
Roman engineering
.

 Building
activities

Trajan was a prolific builder in Rome and the provinces, and
many of his buildings were erected by the gifted architect
Apollodorus of Damascus
. Notable structures
include
Trajan’s Column
,
Trajan’s Forum
,
Trajan’s Bridge
,
Alcántara Bridge
, and possibly the
Alconétar Bridge
. In order to build his forum
and the adjacent brick market that also held his name Trajan had vast areas of
the surrounding hillsides leveled.

 Trajan’s
legacy

Unlike many lauded rulers in history, Trajan’s reputation has
survived undiminished for nearly nineteen centuries.

Ancient sources on Trajan’s personality and accomplishments
are unanimously positive. Pliny the younger, for example, celebrates Trajan in
his panegyric as a wise and just emperor and a moral man.
Dio Cassius
admits Trajan had vices like heavy
drinking and sexual involvement with boys, but added that he always remained
dignified and fair. The
Christianisation
of Rome resulted in further
embellishment of his legend: it was commonly said in
medieval
times that
Pope Gregory I
, through divine intercession,
resurrected Trajan from the dead and baptized him into the Christian faith. An
account of this features in the
Golden Legend
.

Theologians, such as
Thomas Aquinas
, discussed Trajan as an example
of a virtuous pagan. In
the Divine Comedy
,
Dante
, following this legend, sees the spirit
of Trajan in the Heaven of
Jupiter
with other historical and mythological
persons noted for their justice.

He also features in
Piers Plowman
. An episode, referred to as
the
justice of Trajan
was reflected in several art
works.

In the 18th Century King
Charles III of Spain
comminsioned
Anton Raphael Mengs
to paint The Triumph of
Trajan
on the ceiling of the banqueting-hall of the
Royal Palace of Madrid
– considered among the
best work of this artist.

“Traian” is used as a male first name in present-day
Romania
– among others, that of the country’s
incumbent president,
Traian Băsescu
.

 

The caduceus from
Greek
“herald’s staff” is the staff carried by
Hermes
in
Greek mythology
. The same staff was also borne
by heralds in general, for example by
Iris
, the messenger of

Hera
. It is a short staff entwined by two
serpents
, sometimes surmounted by wings. In
Roman iconography it was often depicted being carried in the left hand of
Mercury
, the messenger of the gods, guide of
the dead and protector of merchants, shepherds, gamblers, liars, and thieves.

As a symbolic object it represents Hermes (or the Roman Mercury), and by
extension trades, occupations or undertakings associated with the god. In later
Antiquity
the caduceus provided the basis for
the
astrological symbol
representing the
planet Mercury
. Thus, through its use in
astrology
and
alchemy
, it has come to denote the
elemental metal
of the same name.

By extension of its association with Mercury/Hermes, the caduceus is also a
recognized symbol of commerce and negotiation, two realms in which balanced
exchange and reciprocity are recognized as ideals. This association is ancient,
and consistent from the Classical period to modern times. The caduceus is also
used as a symbol representing printing, again by extension of the attributes of
Mercury (in this case associated with writing and eloquence).

The caduceus is sometimes mistakenly used
as a symbol of medicine and/or medical practice
,
especially in
North America
, because of widespread confusion
with the traditional medical symbol, the
rod of Asclepius
, which has only a single snake
and no wings.

The term kerukeion denoted any herald’s staff, not necessarily
associated with Hermes in particular.

Lewis Richard Farnell
(1909) in his study of
the cult of Hermes assumed that the two snakes had simply developed out of
ornaments of the shepherd’s crook used by heralds as their staff. This view has
been rejected by later authors pointing to parallel iconography in the Ancient
Near East. It has been argued that the staff or wand entwined by two snakes was
itself representing a god in the pre-anthropomorphic era. Like the
herm
or
priapus
, it would thus be a predecessor of the
anthropomorphic Hermes of the classical era.

Ancient Near East

William Hayes Ward
(1910) discovered that
symbols similar to the classical caduceus sometimes appeared on
Mesopotamian cylinder seals
. He suggested the
symbol originated some time between 3000 and 4000 BCE, and that it might have
been the source of the Greek caduceus.[10]
A.L. Frothingham incorporated Dr. Ward’s research into his own work, published
in 1916, in which he suggested that the prototype of Hermes was an “Oriental
deity of Babylonian extraction” represented in his earliest form as a snake god.
From this perspective, the caduceus was originally representative of Hermes
himself, in his early form as the Underworld god
Ningishzida
, “messenger” of the “Earth Mother”.
The caduceus is mentioned in passing by
Walter Burkert
[12]
as “really the image of copulating snakes taken over from Ancient Near Eastern
tradition”.

In Egyptian iconography, the

Djed
 pillar is depicted as containing a snake in a frieze of the
Dendera Temple complex
.

The rod of Moses
and the
brazen serpent
are frequently compared to the
caduceus, especially as Moses is acting as a messenger of God to the
Pharaoh
at the point in the narrative where he
changes his staff into a serpent.[13]

Classical antiquity

Mythology

The
Homeric hymn
 to Hermes relates how Hermes
offered his lyre fashioned from a tortoise shell as compensation for the
cattle he stole
from his half brother
Apollo
. Apollo in return gave Hermes the
caduceus as a gesture of friendship. The association with the serpent thus
connects Hermes to Apollo
, as later the serpent was associated
with Asclepius
, the “son of Apollo”. The association
of Apollo with the serpent is a continuation of the older
Indo-European

dragon
-slayer motif.
Wilhelm Heinrich Roscher
 (1913) pointed out
that the serpent as an attribute of both Hermes and Asclepius is a variant of
the “pre-historic semi-chthonic serpent hero known at Delphi as
Python
“, who in classical mythology is slain by
Apollo.

One Greek myth of origin
of the caduceus is part of the
story of Tiresias
, who found two snakes copulating and
killed the female with his staff. Tiresias was immediately turned into a woman,
and so remained until he was able to repeat the act with the male snake seven
years later. This staff later came into the possession of the god Hermes, along
with its transformative powers.

Another myth suggests that Hermes (or Mercury) saw two serpents entwined in
mortal combat. Separating them with his wand he brought about peace between
them, and as a result the wand with two serpents came to be seen as a sign of
peace.

In Rome, Livy
refers to the caduceator who
negotiated peace arrangements under the diplomatic protection of the caduceus he
carried.

Iconography

In some vase paintings ancient depictions of the Greek kerukeion are
somewhat different from the commonly seen modern representation. These
representations feature the two snakes atop the staff (or rod), crossed to
create a circle with the heads of the snakes resembling horns. This old graphic
form, with an additional crossbar to the staff, seems to have provided the basis
for the graphical
sign of Mercury
(☿) used in
Greek astrology
 from Late Antiquity.

Use in alchemy
and occultism

As the symbol of both the
planet
and the
metal
named for Mercury, the caduceus became an
important symbol in
alchemy
.

The
crucified serpent
was also revived as an
alchemical symbol for
fixatio
, and
John Donne
 (Sermons 10:190) uses
“crucified Serpent” as a title of
Jesus Christ
.

Symbol of commerce

A simplified variant of the caduceus is to be found in dictionaries,
indicating a “commercial term” entirely in keeping with the association of
Hermes with commerce. In this form the staff is often depicted with two winglets
attached and the snakes are omitted (or reduced to a small ring in the middle).
The Customs Service of the former
German Democratic Republic
employed the
caduceus, bringing its implied associations with thresholds, translators, and
commerce, in the service medals they issued their staff.

Misuse as symbol
of medicine

It is relatively common, especially in the United States, to find the
caduceus, with its two snakes and wings, used as a symbol of medicine instead of
the correct rod of Asclepius, with only a single snake. This usage is erroneous,
popularised largely as a result of the adoption of the caduceus as its insignia
by the
US Army medical corps
in 1902 at the insistence
of a single officer (though there are conflicting claims as to whether this was
Capt. Frederick P. Reynolds or Col. John R. van Hoff).

The rod of Asclepius is the dominant symbol for professional healthcare
associations in the United States. One survey found that 62% of professional
healthcare associations used the rod of Asclepius as their symbol. The same
survey found that 76% of commercial healthcare organizations used the Caduceus
symbol. The author of the study suggests the difference exists because
professional associations are more likely to have a real understanding of the
two symbols, whereas commercial organizations are more likely to be concerned
with the visual impact a symbol will have in selling their products.

The initial errors leading to its adoption and the continuing confusion it
generates are well known to medical historians. The long-standing and abundantly
attested historical associations of the caduceus with commerce, theft,
deception, and death are considered by many to be inappropriate in a symbol used
by those engaged in the healing arts. This has occasioned significant criticism
of the use of the caduceus in a medical context.

 

The sestertius, or sesterce, (pl. sestertii) was an
ancient Roman


coin
. During the
Roman Republic
it was a small,
silver
coin issued only on rare occasions.
During the
Roman Empire
it was a large
brass
coin.


File:ArSestertiusDioscuri.jpg

Helmed Roma head right, IIS behind
Dioscuri
riding right, ROMA in linear frame
below. RSC4, C44/7, BMC13.

The name sestertius (originally semis-tertius) means “2 ½”, the
coin’s original value in
asses
, and is a combination of semis
“half” and tertius “third”, that is, “the third half” (0 ½ being the
first half
and 1 ½ the second half) or “half the third” (two units
plus half the third unit, or halfway between the second unit and
the third). Parallel constructions exist in
Danish
with halvanden (1 ½),
halvtredje
(2 ½) and halvfjerde (3 ½). The form sesterce,
derived from
French
, was once used in preference to the
Latin form, but is now considered old-fashioned.

It is abbreviated as  (originally IIS).


 

Example of a detailed portrait of
Hadrian
117 to 138

History

The sestertius was introduced c. 211 BC as a small
silver
coin valued at one-quarter of a
denarius
(and thus one hundredth of an
aureus
). A silver denarius was supposed to
weigh about 4.5 grams, valued at ten grams, with the silver sestertius valued at
two and one-half grams. In practice, the coins were usually underweight.

When the denarius was retariffed to sixteen asses (due to the gradual
reduction in the size of bronze denominations), the sestertius was accordingly
revalued to four asses, still equal to one quarter of a denarius. It was
produced sporadically, far less often than the denarius, through 44 BC.


Hostilian
under
Trajan Decius
250 AD

In or about 23 BC, with the coinage reform of
Augustus
, the denomination of sestertius was
introduced as the large brass denomination. Augustus tariffed the value of the
sestertius as 1/100 Aureus
. The sestertius was produced as the
largest brass
denomination until the late 3rd century
AD. Most were struck in the mint of

Rome
but from AD 64 during the reign of

Nero
(AD 54–68) and
Vespasian
(AD 69–79), the mint of

Lyon
(Lugdunum), supplemented production. Lyon sestertii can
be recognised by a small globe, or legend stop), beneath the bust.[citation
needed
]

The brass sestertius typically weighs in the region of 25 to 28 grammes, is
around 32–34 mm in diameter and about 4 mm thick. The distinction between
bronze
and brass was important to the Romans.
Their name for brass
was
orichalcum
, a word sometimes also spelled
aurichalcum
(echoing the word for a gold coin, aureus), meaning
‘gold-copper’, because of its shiny, gold-like appearance when the coins were
newly struck (see, for example
Pliny the Elder
in his Natural History
Book 34.4).

Orichalcum
was considered, by weight, to be
worth about double that of bronze. This is why the half-sestertius, the
dupondius
, was around the same size and weight
as the bronze as, but was worth two asses.

Sestertii continued to be struck until the late 3rd century, although there
was a marked deterioration in the quality of the metal used and the striking
even though portraiture remained strong. Later emperors increasingly relied on
melting down older sestertii, a process which led to the zinc component being
gradually lost as it burned off in the high temperatures needed to melt copper (Zinc
melts at 419 °C, Copper
at 1085 °C). The shortfall was made up
with bronze and even lead. Later sestertii tend to be darker in appearance as a
result and are made from more crudely prepared blanks (see the
Hostilian
coin on this page).

The gradual impact of
inflation
caused by
debasement
of the silver currency meant that
the purchasing power of the sestertius and smaller denominations like the
dupondius and as was steadily reduced. In the 1st century AD, everyday small
change was dominated by the dupondius and as, but in the 2nd century, as
inflation bit, the sestertius became the dominant small change. In the 3rd
century silver coinage contained less and less silver, and more and more copper
or bronze. By the 260s and 270s the main unit was the double-denarius, the
antoninianus
, but by then these small coins
were almost all bronze. Although these coins were theoretically worth eight
sestertii, the average sestertius was worth far more in plain terms of the metal
they contained.

Some of the last sestertii were struck by
Aurelian
(270–275 AD). During the end of its
issue, when sestertii were reduced in size and quality, the
double sestertius
was issued first by
Trajan Decius
(249–251 AD) and later in large
quantity by the ruler of a breakaway regime in the West called
Postumus
(259–268 AD), who often used worn old
sestertii to
overstrike
his image and legends on. The double
sestertius was distinguished from the sestertius by the
radiate crown
worn by the emperor, a device
used to distinguish the dupondius from the as and the antoninianus from the
denarius.

Eventually, the inevitable happened. Many sestertii were withdrawn by the
state and by forgers, to melt down to make the debased antoninianus, which made
inflation worse. In the coinage reforms of the 4th century, the sestertius
played no part and passed into history.


Sestertius of
Hadrian
, dupondius of
Antoninus Pius
, and as of
Marcus Aurelius

As a unit of account

The sestertius was also used as a standard unit of account, represented on
inscriptions with the monogram HS. Large values were recorded in terms of
sestertium milia
, thousands of sestertii, with the milia often
omitted and implied. The hyper-wealthy general and politician of the late Roman
Republic,
Crassus
(who fought in the war to defeat
Spartacus
), was said by Pliny the Elder to have
had ‘estates worth 200 million sesterces’.

A loaf of bread cost roughly half a sestertius, and a
sextarius
(~0.5 liter) of

wine
anywhere from less than half to more than 1 sestertius. One
modius
(6.67 kg) of
wheat
in 79 AD
Pompeii
cost 7 sestertii, of
rye
3 sestertii, a bucket 2 sestertii, a tunic 15 sestertii, a donkey 500 sestertii.

Records from Pompeii
show a
slave
being sold at auction for 6,252
sestertii. A writing tablet from
Londinium
(Roman
London
), dated to c. 75–125 AD, records the
sale of a Gallic
slave girl called Fortunata for 600
denarii, equal to 2,400 sestertii, to a man called Vegetus. It is difficult to
make any comparisons with modern coinage or prices, but for most of the 1st
century AD the ordinary
legionary
was paid 900 sestertii per annum,
rising to 1,200 under
Domitian
(81-96 AD), the equivalent of 3.3
sestertii per day. Half of this was deducted for living costs, leaving the
soldier (if he was lucky enough actually to get paid) with about 1.65 sestertii
per day.

Perhaps a more useful comparison is a modern salary: in 2010 a private
soldier in the US Army (grade E-2) earned about $20,000 a year.

Numismatic value


 

A sestertius of
Nero
, struck at
Rome
in 64 AD. The reverse depicts
the emperor on horseback with a companion. The legend reads DECVRSIO,
‘a military exercise’. Diameter 35mm

Sestertii are highly valued by
numismatists
, since their large size gave
caelatores
(engravers) a large area in which to produce detailed portraits
and reverse types. The most celebrated are those produced for

Nero
(54-68 AD) between the years 64 and 68 AD, created by some of
the most accomplished coin engravers in history. The brutally realistic
portraits of this emperor, and the elegant reverse designs, greatly impressed
and influenced the artists of the
Renaissance
. The series issued by
Hadrian
(117-138 AD), recording his travels
around the Roman Empire, brilliantly depicts the Empire at its height, and
included the first representation on a coin of the figure of
Britannia
; it was revived by
Charles II
, and was a feature of
United Kingdom
coinage until the
2008 redesign
.

Very high quality examples can sell for over a million
dollars
at auction as of 2008, but the coins
were produced in such colossal abundance that millions survive.

 

 

 


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