Item: i104575

Authentic Coin of:

Hungary under Maria Theresa – Queen: 20 October 1740 – 29 November 1780
Madonna & Child
1770 Silver 20 Krajczar 27.4mm (6.50 grams) 0.583 Silver (0.1252 oz. ASW)
Reference: ÉH# 1241, H# 1700, H# 1701, H# 1704, KM# 381 (1766-80)
M · THERESIA · D · G · R · IMP · HU · BO · REG · B, Maria facing right within 
wreath.
PATRONA REGNI · HUNGARIÆ · 1775 · X EVM D, Crowned radiant Madonna with child on 
her left seated on a crescent.

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Maria Theresa Walburga Amalia Christina (German: Maria Theresia; 13 May 1717 – 29 November 1780) was the only female ruler of the Habsburg dominions and the last of the House of Habsburg. She was the sovereign of Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, the Austrian Netherlands and Parma. By marriage, she was Duchess of Lorraine, Grand Duchess of Tuscany and Holy Roman Empress.

She started her 40-year reign when her father, Emperor Charles VI, died in October 1740. Charles VI paved the way for her accession with the Pragmatic Sanction of 1713 and spent his entire reign securing it. Upon the death of her father, Saxony, Prussia, Bavaria, and France all repudiated the sanction they had recognised during his lifetime. Frederick II of Prussia (who became Maria Theresa’s greatest enemy for most of her reign) promptly invaded and took the affluent Habsburg province of Silesia in the nine-year conflict known as the War of the Austrian Succession. Over the course of the war, despite the loss of Silesia and a few minor territories in Italy, Maria Theresa successfully defended her rule over most of the Habsburg empire. Maria Theresa later unsuccessfully tried to reconquer Silesia during the Seven Years’ War.

Maria Theresa and her husband, Francis I, Holy Roman Emperor, had eleven daughters, including the Queen of France and Navarre, the Queen of Naples and Sicily, the Duchess of Parma, and five sons, including two Holy Roman Emperors, Joseph II and Leopold II. Of the sixteen children ten survived to adulthood. Though she was expected to cede power to Francis and Joseph, both of whom were officially her co-rulers in Austria and Bohemia, Maria Theresa was the absolute sovereign who ruled with the counsel of her advisers. She criticised and disapproved of many of Joseph’s actions. Maria Theresa understood the importance of her public persona and was able to simultaneously evoke both esteem and affection from her subjects.

Maria Theresa promulgated financial and educational reforms, with the assistance of Count Friedrich Wilhelm von Haugwitz and Gerard van Swieten, promoted commerce and the development of agriculture, and reorganised Austria’s ramshackle military, all of which strengthened Austria’s international standing. However, she refused to allow religious pluralism and advocated for the state church and contemporary adversary travelers criticized her regime as bigoted and superstitious. As a young monarch who fought two dynastic wars, she believed that her cause should be the cause of her subjects, but in her later years she would believe that their cause must be hers.

A Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna, meaning ‘my lady’. The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.

The term Madonna in the sense of “picture or statue of the Virgin Mary” enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as Theotokos. “Madonna” may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanked or surrounded by angels or saints. Other types of Marian imagery have a narrative context, depicting scenes from the Life of the Virgin, e.g. the Annunciation to Mary, are not typically called “Madonna”.

The earliest depictions of Mary date still to Early Christianity (2nd to 3rd centuries), found in the Catacombs of Rome. These are in a narrative context. The classical “Madonna” or “Theotokos” imagery develops from the 5th century, as Marian devotion rose to great importance after the Council of Ephesus formally affirmed her status as “Mother of God or Theotokos (“God-bearer”) in 431. The Theotokos iconography as it developed in the 6th to 8th century rose to great importance in the high medieval period (12th to 14th centuries) both in the Eastern Orthodox and in the Latin spheres. According to a tradition recorded in the 8th century, Marian iconography goes back to a portrait drawn from life by Luke the Evangelist, with a number of icons (such as the Panagia Portaitissa) claimed to either represent this original icon or to be a direct copy of it. In the Western tradition, depictions of the Madonna were greatly diversified by Renaissance masters such as Duccio, Leonardo da Vinci, Michelangelo, Raphael, Giovanni Bellini, Caravaggio and Rubens (and further by certain modernists, such as Salvador Dalí and Henry Moore) while Eastern Orthodox iconography adheres more closely to the inherited traditional types.

Hungary is a sovereign state in Europe. It is situated in the Carpathian Basin and is bordered by Slovakia to the north, Romania to the east, Serbia to the south, Croatia to the southwest, Slovenia to the west, Austria to the northwest, and Ukraine to the northeast. The country’s capital and largest city is Budapest. Hungary is a member of the European Union, NATO, the OECD, the Visegrád Group, and the Schengen Area. The official language is Hungarian, which is the most widely spoken non-Indo-European language in Europe.

Following centuries of successive habitation by Celts, Romans, Huns, Slavs, Gepids, and Avars, the foundation of Hungary was laid in the late 9th century by the Hungarian grand prince Árpád in the Honfoglalás (“homeland-conquest”). His great-grandson Stephen I ascended to the throne in 1000 CE, converting the country to a Christian kingdom. By the 12th century, Hungary became a middle power within the Western world, reaching a golden age by the 15th century. Following the Battle of Mohács in 1526 and about 150 years of partial Ottoman occupation (1541-1699), Hungary came under Habsburg rule, and later formed a significant part of the Austro-Hungarian Empire (1867-1918).

Hungary’s current borders were first established by the Treaty of Trianon (1920) after World War I, when the country lost 71% of its territory, 58% of its population, and 32% of ethnic Hungarians. Following the interwar period, Hungary joined the Axis Powers in World War II, suffering significant damage and casualties. Hungary came under the influence of the Soviet Union, which contributed to the establishment of a four-decade-long communist dictatorship (1947-1989). The country gained widespread international attention regarding the Revolution of 1956 and the seminal opening of its previously-restricted border with Austria in 1989, which accelerated the collapse of the Eastern Bloc.

On 23 October 1989, Hungary again became a democratic parliamentary republic, and today has a high-income economy with a very high Human Development Index. Hungary is a popular tourist destination attracting 10.675 million tourists a year (2013). It is home to the largest thermal water cave system and the second-largest thermal lake in the world (Lake Hévíz), the largest lake in Central Europe (Lake Balaton), and the largest natural grasslands in Europe (the Hortobágy National Park).