Septimius Severus – Roman Emperor: 193-211 A.D.
Silver Denarius 19mm (2.23 grams) Rome mint: 204 A.D.
Reference: RIC 261, C 135
SEVERVS PIVS AVG – Laureate head right.
FELICITAS AVGG – Felicitas standing left, holding caduceus and cornucopia.

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The caduceus (“herald’s wand, or staff”) is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was also borne by heralds in general, for example by Iris, the messenger of Hera. It is a short staff entwined by two serpents, sometimes surmounted by wings. In Roman iconography, it was often depicted being carried in the left hand of Mercury, the messenger of the gods, guide of the dead and protector of merchants, shepherds, gamblers, liars, and thieves.

Some accounts suggest that the oldest known imagery of the caduceus have their roots in a Mesopotamian origin with the Sumerian god Ningishzida whose symbol, a staff with two snakes intertwined around it, dates back to 4000 B.C. to 3000 B.C.

As a symbolic object, it represents Hermes (or the Roman Mercury), and by extension trades, occupations, or undertakings associated with the god. In later Antiquity, the caduceus provided the basis for the astrological symbol representing the planet Mercury. Thus, through its use in astrology and alchemy, it has come to denote the elemental metal of the same name. It is said the wand would wake the sleeping and send the awake to sleep. If applied to the dying, their death was gentle; if applied to the dead, they returned to life.

By extension of its association with Mercury and Hermes, the caduceus is also a recognized symbol of commerce and negotiation, two realms in which balanced exchange and reciprocity are recognized as ideals. This association is ancient, and consistent from the Classical period to modern times. The caduceus is also used as a symbol representing printing, again by extension of the attributes of Mercury (in this case associated with writing and eloquence).

The caduceus is often incorrectly used, particularly in North America, as a symbol of healthcare organizations and medical practice, due to confusion with the traditional medical symbol, the rod of Asclepius, which has only one snake and is never depicted with wings.

The cornucopia (from Latin cornu copiae) or horn of plenty is a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers or nuts. The horn originates from classical antiquity, it has continued as a symbol in Western art, and it is particularly associated with the Thanksgiving holiday in North America.

Mythology offers multiple explanations of the origin of the cornucopia. One of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Kronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of divine attendants, including the goat Amalthea (“Nourishing Goddess”), who fed him with her milk. The suckling future king of the gods had unusual abilities and strength, and in playing with his nursemaid accidentally broke off one of her horns, which then had the divine power to provide unending nourishment, as the foster mother had to the god.

In another myth, the cornucopia was created when Heracles (Roman Hercules) wrestled with the river god Achelous and wrenched off one of his horns; river gods were sometimes depicted as horned. This version is represented in the Achelous and Hercules mural painting by the American Regionalist artist Thomas Hart Benton.

The cornucopia became the attribute of several Greek and Roman deities, particularly those associated with the harvest, prosperity, or spiritual abundance, such as personifications of Earth (Gaia or Terra); the child Plutus, god of riches and son of the grain goddess Demeter; the nymph Maia; and Fortuna, the goddess of luck, who had the power to grant prosperity. In Roman Imperial cult, abstract Roman deities who fostered peace (pax Romana) and prosperity were also depicted with a cornucopia, including Abundantia, “Abundance” personified, and Annona, goddess of the grain supply to the city of Rome. Pluto, the classical ruler of the underworld in the mystery religions, was a giver of agricultural, mineral and spiritual wealth, and in art often holds a cornucopia to distinguish him from the gloomier Hades, who holds a drinking horn instead.

In ancient Roman culture, felicitas (from the Latin adjective felix, “fruitful, blessed, happy, lucky”) is a condition of divinely inspired productivity, blessedness, or happiness. Felicitas could encompass both a woman’s fertility, and a general’s luck or good fortune. The divine personification of Felicitas was cultivated as a goddess. Although felicitas may be translated as “good luck,” and the goddess Felicitas shares some characteristics and attributes with Fortuna, the two were distinguished in Roman religion. Fortuna was unpredictable and her effects could be negative, as the existence of an altar to Mala Fortuna (“Bad Luck”) acknowledges. Felicitas, however, always had a positive significance. She appears with several epithets that focus on aspects of her divine power.

Felicitas had a temple in Rome as early as the mid-2nd century BC, and during the Republican era was honored at two official festivals of Roman state religion, on July 1 in conjunction with Juno and October 9 as Fausta Felicitas. Felicitas continued to play an important role in Imperial cult, and was frequently portrayed on coins as a symbol of the wealth and prosperity of the Roman Empire. Her primary attributes are the caduceus and cornucopia. The English word “felicity” derives from felicitas.

As virtue or quality

In its religious sense, felix means “blessed, under the protection or favour of the gods; happy.” That which is felix has achieved the pax divom, a state of harmony or peace with the divine world. The word derives from Indo-European *dhe(i)l, meaning “happy, fruitful, productive, full of nourishment.” Related Latin words include femina, “woman” (a person who provides nourishment or suckles); felo, “to suckle” in regard to an infant; filius, “son” (a person suckled); and probably fello, fellare, “to perform fellatio”, with an originally non-sexual meaning of “to suck”. The continued magical association of sexual potency, increase, and general good fortune in productivity is indicated by the inscription Hic habitat Felicitas (“Felicitas dwells here”) on an apotropaic relief of a phallus at a bakery in Pompeii.

In archaic Roman culture, felicitas was a quality expressing the close bonds between religion and agriculture. Felicitas was at issue when the suovetaurilia sacrifice conducted by Cato the Elder as censor in 184 BC was challenged as having been unproductive, perhaps for vitium, ritual error. In the following three years Rome had been plagued by a number of ill omens and prodigies (prodigia), such as severe storms, pestilence, and “showers of blood,” which had required a series of expiations (supplicationes). The speech Cato gave to justify himself is known as the Oratio de lustri sui felicitate, “Speech on the Felicitas of his Lustrum”, and survives only as a possible quotation by a later source. Cato says that a lustrum should be found to have produced felicitas “if the crops had filled up the storehouses, if the vintage had been abundant, if the olive oil had flowed deliberately from the groves”, regardless of whatever else might have occurred. The efficacy of a ritual might be thus expressed as its felicitas.

The ability to promote felicitas became proof of one’s excellence and divine favor. Felicitas was simultaneously a divine gift, a quality that resided within an individual, and a contagious capacity for generating productive conditions outside oneself: it was a form of “charismatic authority”. Cicero lists felicitas as one of the four virtues of the exemplary general, along with knowledge of military science (scientia rei militaris), virtus (both “valor” and “virtue”), and auctoritas, “authority.” Virtus was a regular complement to felicitas, which was not thought to attach to those who were unworthy. Cicero attributed felicitas particularly to Pompeius Magnus (“Pompey the Great”), and distinguished this felicitas even from the divine good luck enjoyed by successful generals such as Fabius Maximus, Marcellus, Scipio the Younger and Marius.

The sayings (sententiae) of Publilius Syrus are often attached to divine qualities, including Felicitas: “The people’s Felicitas is powerful when she is merciful” (potens misericors publica est Felicitas).

Epithets

Epithets of Felicitas include:

• Augusta, the goddess in her association with the emperor and Imperial cult.
• Fausta (“Favored, Fortunate”), a state divinity cultivated on October 9 in conjunction with Venus Victrix and the Genius Populi Romani (“Genius” of the Roman People, also known as the Genius Publicus).
• Publica, the “public” Felicitas; that is, the aspect of the divine force that was concerned with the res publica or commonwealth, or with the Roman People (Populus Romanus).
• Temporum, the Felicitas “of the times”, a title which emphasize the felicitas being experienced in current circumstances.

Septimius Severus – Roman Emperor: 193-211 A.D.

Augustus: 193-211 A.D. | 193-198 A.D. Sole reign; 195-198 A.D. Caracalla as Caesar | 198-209 A.D. with Caracalla; Geta as Caesar | 209-211 A.D. with Caracalla and Geta

Husband of Julia Domna | Father of Caracalla and Geta | Uncle of Julia Soaemias and Julia Mamaea | Great-uncle of Elagabalus and Severus Alexander | Brother-in-law of Julia Maesa | Father-in-law of Plautilla |

Lucius Septimius Severus (or rarely Severus I) (April 11, 145/146-February 4, 211) was a Roman general, and Roman Emperor from April 14, 193 to 211. He was born in what is now the Berber part of Rome’s historic Africa Province.

Septimius Severus was born and raised at Leptis Magna (modern Berber, southeast of Carthage, modern Tunisia). Severus came from a wealthy, distinguished family of equestrian rank. Severus was of Italian Roman ancestry on his mother’s side and of Punic or Libyan-Punic ancestry on his father’s. Little is known of his father, Publius Septimius Geta, who held no major political status but had two cousins who served as consuls under emperor Antoninus Pius. His mother, Fulvia Pia’s family moved from Italy to North Africa and was of the Fulvius gens, an ancient and politically influential clan, which was originally of plebeian status. His siblings were a younger Publius Septimius Geta and Septimia Octavilla. Severus’s maternal cousin was Praetorian Guard and consul Gaius Fulvius Plautianus.

In 172, Severus was made a Senator by the then emperor Marcus Aurelius. In 187 he married secondly Julia Domna. In 190 Severus became consul, and in the following year received from the emperor Commodus (successor to Marcus Aurelius) the command of the legions in Pannonia.

On the murder of Pertinax by the troops in 193, they proclaimed Severus Emperor at Carnuntum, whereupon he hurried to Italy. The former emperor, Didius Julianus, was condemned to death by the Senate and killed, and Severus took possession of Rome without opposition.

The legions of Syria, however, had proclaimed Pescennius Niger emperor. At the same time, Severus felt it was reasonable to offer Clodius Albinus, the powerful governor of Britannia who had probably supported Didius against him, the rank of Caesar, which implied some claim to succession. With his rearguard safe, he moved to the East and crushed Niger’s forces at the Battle of Issus. The following year was devoted to suppressing Mesopotamia and other Parthian vassals who had backed Niger. When afterwards Severus declared openly his son Caracalla as successor, Albinus was hailed emperor by his troops and moved to Gallia. Severus, after a short stay in Rome, moved northwards to meet him. On February 19, 197, in the Battle of Lugdunum, with an army of 100,000 men, mostly composed of Illyrian, Moesian and Dacian legions, Severus defeated and killed Clodius Albinus, securing his full control over the Empire.

Emperor

Severus was at heart a soldier, and sought glory through military exploits. In 197 he waged a brief and successful war against the Parthian Empire in retaliation for the support given to Pescennius Niger. The Parthian capital Ctesiphon was sacked by the legions, and the northern half of Mesopotamia was restored to Rome.

His relations with the Roman Senate were never good. He was unpopular with them from the outset, having seized power with the help of the military, and he returned the sentiment. Severus ordered the execution of dozens of Senators on charges of corruption and conspiracy against him, replacing them with his own favorites.

He also disbanded the Praetorian Guard and replaced it with one of his own, made up of 50,000 loyal soldiers mainly camped at Albanum, near Rome (also probably to grant the emperor a kind of centralized reserve). During his reign the number of legions was also increased from 25/30 to 33. He also increased the number of auxiliary corps (numerii), many of these troops coming from the Eastern borders. Additionally the annual wage for a soldier was raised from 300 to 500 denarii.

Although his actions turned Rome into a military dictatorship, he was popular with the citizens of Rome, having stamped out the rampant corruption of Commodus’s reign. When he returned from his victory over the Parthians, he erected the Arch of Septimius Severus in Rome.

According to Cassius Dio, however, after 197 Severus fell heavily under the influence of his Praetorian Prefect, Gaius Fulvius Plautianus, who came to have almost total control of most branches of the imperial administration. Plautianus’s daughter, Fulvia Plautilla, was married to Severus’s son, Caracalla. Plautianus’s excessive power came to an end in 205, when he was denounced by the Emperor’s dying brother and killed. The two following praefecti, including the jurist Aemilius Papinianus, received however even larger powers.

Campaigns in Caledonia (Scotland)

Starting from 208 Severus undertook a number of military actions in Roman Britain, reconstructing Hadrian’s Wall and campaigning in Scotland.

He reached the area of the Moray Firth in his last campaign in Caledonia, as was called Scotland by the Romans.. In 210 obtained a peace with the Picts that lasted practically until the final withdrawal of the Roman legions from Britain, before falling severely ill in Eboracum (York).

Death

He is famously said to have given the advice to his sons: “Be harmonious, enrich the soldiers, and scorn all other men” before he died at Eboracum on February 4, 211. Upon his death in 211, Severus was deified by the Senate and succeeded by his sons, Caracalla and Geta, who were advised by his wife Julia Domna. The stability Severus provided the Empire was soon gone under their reign.

Accomplishments and Record

Though his military expenditure was costly to the empire, Severus was the strong, able ruler that Rome needed at the time. He began a tradition of effective emperors elevated solely by the military. His policy of an expanded and better-rewarded army was criticized by his contemporary Dio Cassius and Herodianus: in particular, they pointed out the increasing burden (in the form of taxes and services) the civilian population had to bear to maintain the new army.

Severus was also distinguished for his buildings. Apart from the triumphal arch in the Roman Forum carrying his full name, he also built the Septizodium in Rome and enriched greatly his native city of Leptis Magna (including another triumphal arch on the occasion of his visit of 203).

Severus and Christianity

Christians were persecuted during the reign of Septimus Severus. Severus allowed the enforcement of policies already long-established, which meant that Roman authorities did not intentionally seek out Christians, but when people were accused of being Christians they could either curse Jesus and make an offering to Roman gods, or be executed. Furthermore, wishing to strengthen the peace by encouraging religious harmony through syncretism, Severus tried to limit the spread of the two quarrelsome groups who refused to yield to syncretism by outlawing conversion to Christianity or Judaism. Individual officials availed themselves of the laws to proceed with rigor against the Christians. Naturally the emperor, with his strict conception of law, did not hinder such partial persecution, which took place in Egypt and the Thebaid, as well as in Africa proconsularis and the East. Christian martyrs were numerous in Alexandria (cf. Clement of Alexandria, Stromata, ii. 20; Eusebius, Church History, V., xxvi., VI., i.). No less severe were the persecutions in Africa, which seem to have begun in 197 or 198 (cf. Tertullian’s Ad martyres), and included the Christians known in the Roman martyrology as the martyrs of Madaura. Probably in 202 or 203 Felicitas and Perpetua suffered for their faith. Persecution again raged for a short time under the proconsul Scapula in 211, especially in Numidia and Mauritania. Later accounts of a Gallic persecution, especially at Lyon, are legendary. In general it may thus be said that the position of the Christians under Septimius Severus was the same as under the Antonines; but the law of this Emperor at least shows clearly that the rescript of Trajan had failed to execute its purpose.