Gazioura in Pontus MITHRADATES VI the GREAT Time OLD Ancient Greek Coin i108915

$2,497.00 $2,247.30

Availability: 1 in stock

SKU: i108915 Category:

Item: i108915
 
Authentic Ancient Coin of:

Greek city of Gazioura in Pontus
Bronze 20mm (7.67 grams) Struck under Mithradates VI the Great circa 111-105 B.C. or circa 95-90 B.C.
Reference: HGC 7, 241 (RARE R1); SNG Stancomb 718; Recueil général 6; SNG BM Black Sea 1250-2
Head of young Ares right, wearing crested helmet.
 Sword in sheath; ΓΑΣI-ΟΥΡΩΝ across field.

It was located ont he bank of the Iris River near Komana and was heavily fortified. It served as a treasury and residence for the satraps (governors) of Cappadocia and the independent kings of Pontos. The city played as an important base city for Mithradates VI, for the battle of Zela, which he won and paralyzed the Romans until the subsequent year.

 You are bidding on the exact item pictured, provided with a Certificate of Authenticity and Lifetime Guarantee of Authenticity.  


The Battle of Zela, not to be confused with the more famous battle  in 47 BC, was fought in 67 BC near Zela in the Kingdom of Pontus. The battle  resulted in a stunning Pontic victory and King Mithridates’ successful  reclamation of his kingdom. Mithridates’ victory was short-lived however, as  within a few years he would be completely defeated by Pompey the Great.

Between 88 BC and 63 BC the Roman Republic fought three wars with  Mithridates VI of Pontus. For the third of these so called Mithridatic Wars,  the Romans sent Lucius Licinius Lucullus and Marcus Aurelius Cotta, the  consuls of 74 BC, to fight the king of Pontus. At the start of the war Cotta  was defeated and became trapped in the city of Chalcedon. His colleague  Lucullus came to his rescue and defeated Mithridates during the siege of  Cyzicus. Lucullus then took the war into Pontus and eventually all the way  up into Armenia where he defeated Mithridates’ son-in-law and ally King  Tigranes II of Armenia (see: the battle of Tigranocerta). Unfortunately for  Lucullus his army forced him to turn back and they marched into Pontus  again. Lucullus then convinced the bulk of his army to join him in a  campaign in Northern Mesopotamia which was far more hospitable. The Romans  thought they had finally defeated Mithridates and never expected him to  launch an invasion into Pontus. Prelude

In the spring of 67 BC most Roman troops had left Pontus for Mesopotamia,  where Lucullus was laying siege to Nisibis, a treasure city of Tigranes, in  Northern Mesopotamia. The two long serving Fimbrian legions, tired of  campaigning, had refused to leave and fell easy prey to a vengeful  Mithridates who suddenly returned from exile in Armenia. The Romans had not  expected Mithridates to strike at them in Pontus and he caught several small  Roman detachments unaware. Marcus Fabius Hadrianus, whom Lucullus had left  in command of Pontus, resorted to arming slaves to fight alongside his  legionnaires and auxiliaries to scrape together a sizeable defence force.  Hadrianus tried to defeat Mithridates in battle, but the Pontic forces  routed his forces. The Romans lost 500 men and Hadrianus had no choice but  to retreat. Mithridates tried to take Hadrianus’ camp but was wounded twice,  once in the face with an arrow or dart and then hit on the knee by a stone,  probably from a sling, he recovered in a few days. Hadrianus sent out  desperate messengers to his commander, Lucullus, in Mesopotamia, and to his  fellow legate, Gaius Valerius Triarius, who was nearby bringing two legions  to reinforce Lucullus. Triarius arrived first, reinforcing Hadrianus and  assuming command of the combined army. Mithridates pulled his forces back  towards Comana and awaited the Romans. The battle

Plutarch and Appian claim Triarius wanted to  defeat Mithridates before Lucullus could arrive  and take the glory for himself, but this is in  dispute. The battle took place on a plain near  Zela, and was a Roman attempt to regain control  of the situation in Pontus. It was preceded by a  freak tornado, which both sides interpreted the  omen as a call to a final, decisive battle. The  Romans under Triarius marched on Mithridates’s  camp, but since he had prepared the battlefield,  he marched out and met them on the plain.  Mithridates first threw his entire force against  one section of the advancing enemy and defeated  them while holding off the rest. He then rode  his cavalry round the rear of the remaining  force and broke them too. The fight was long and  brutal but eventually the Mithridatic troops  drove the Romans back into a trench Mithridates  had constructed in preparation for the battle  and had then flooded to conceal it from sight.  Many Romans became trapped against this  unexpected obstacle and were cut down in great  numbers. The trench was soon “clogged with dead  Romans”. Mithridates was critically wounded  again, and once again a shaman by the name of  Agari healed the king with snake venom. Only  hours after the near-fatal wound, Mithridates  was back in his saddle. By this time, the Romans  had already fled, leaving 7,000 dead, including  24 tribunes and 150 centurions.

During the chaos of battle a Roman centurion  found himself close to Mithridates, who  evidently took him for one of the Romans in his  entourage. The man ran up to the king as though  delivering a message and stabbed him in the  thigh, probably the only accessible point where  Mithridates could be wounded, since he was  armoured Armenian-style (see: Cataphract). The  would-be killer was promptly cut down by  Mithridates’ bodyguards but the damage was done.  The entire Mithridatic army came to a  disconcerted halt. Fortunately, the king’s  physician (a Greek called Timotheus) was near  and after a quick examination ordered him lifted  above the throng of worried followers, so that  they could see that their leader still lived.  Not only was he alive but he was furious that  the pursuit of the Romans had been halted.  Triarius and what was left of his men had not  even attempted to defend their camp and had kept  on running. Aftermath

The remaining Roman forces fled to Lucullus  who had marched up from Mesopotamia. Lucullus  wanted to march on Mithridates to finally finish  him off but his troops refused to advance a  further step. They were tired of constant  campaigning with little profit. They threw their  purses at Lucullus his feet as he was the only  one making a personal profit of this war and  told him to continue it on his own. Since his  army refused to march on Mithridates Lucullus  withdrew to Galatia leaving Mithridates to  reclaim Pontus. In 66 BC Pompey arrived in  Galatia, he had been given the command against  Mithridates and would finish what Lucullus had  started.


Mithridates VI Louvre.jpgMithridates VI or Mithradates VI (Greek: Μιθραδάτης), from Old Persian Mithradatha, “gift of Mithra”; 134–63 BC, also known as Mithradates the Great (Megas) and Eupator Dionysius, was king of Pontus and Armenia Minor in northern Anatolia (now Turkey) from about 120–63 BC. Mithridates is remembered as one of the Roman Republic’s most formidable and successful enemies, who engaged three of the prominent generals from the late Roman Republic in the Mithridatic Wars: Lucius Cornelius Sulla, Lucullus and Pompey. He was also the greatest ruler of the Kingdom of Pontus.


Ares  is the Greek god of war. He is one of the Twelve Olympians, and the son of Zeus and Hera. In Greek literature, he often represents the physical or violent aspect of war, in contrast to the armored Athena, whose functions as a goddess of intelligence include military strategy and generalship.

The Greeks were ambivalent toward Ares: although he embodied the physical valor necessary for success in war, he was a dangerous force, “overwhelming, insatiable in battle, destructive, and man-slaughtering.” Fear (Phobos) and Terror (Deimos) were yoked to his battle chariot. In the Iliad his father Zeus tells him that he is the god most hateful to him. An association with Ares endows places and objects with a savage, dangerous, or militarized quality. His value as a war god is even placed in doubt: during the Trojan War, Ares was on the losing side, while Athena, often depicted in Greek art as holding Nike (Victory) in her hand, favored the triumphant Greeks.

Ares plays a relatively limited role in Greek mythology as represented in literary narratives, though his numerous love affairs and abundant offspring are often alluded to. When Ares does appear in myths, he typically faces humiliation. He is well known as the lover of Aphrodite, the goddess of love who was married to Hephaestus, god of craftsmanship, but the most famous story involving the couple shows them exposed to ridicule through the wronged husband’s clever device.

The counterpart of Ares among the Roman gods is Mars, who as a father of the Roman people held a more important and dignified place in ancient Roman religion for his agricultural and tutelary functions. During the Hellenization of Latin literature, the myths of Ares were reinterpreted by Roman writers under the name of Mars. Greek writers under Roman rule also recorded cult practices and beliefs pertaining to Mars under the name of Ares. Thus in the classical tradition of later Western art and literature, the mythology of the two figures becomes virtually indistinguishable.


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Mr. Ilya Zlobin, world-renowned expert numismatist, enthusiast, author and dealer in authentic ancient Greek, ancient Roman, ancient Byzantine, world coins & more.
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YEAR

110 BC

CERTIFICATION

Uncertified

CULTURE

Greek

DENOMINATION

AE17

ERA

Ancient

MPN

Uncertified Greek 87ae0224-a10c-4

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