Greek city of Ankyra in Phrygia.
Pseudo-autonomous issue.
Bronze 21mm (3.49 grams) Struck circa 1st Century (0-100) A.D.
Metrophanes, magistrate.
Reference: RPC I 3115 ; SNG Fitzwilliam 4927 Rare
ΘЄΑ ΡΩΜΗ, draped bust of Roma to right.
ΑΝΚΥΡΑΝΩΝ, Dionysus standing to left, panther at his feet to left, holding cantharus and long thyrsus.

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Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in Greek mythology. Alcohol, especially wine, played an important role in Greek culture with Dionysus being an important reason for this life style. His name, thought to be a theonym in Linear B tablets as di-wo-nu-so (KH Gq 5 inscription), shows that he may have been worshipped as early as c. 1500-1100 BC by Mycenean Greeks; other traces of the Dionysian-type cult have been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In some cults, he arrives from the east, as an Asiatic foreigner; in others, from Ethiopia in the South. He is a god of epiphany, “the god that comes”, and his “foreignness” as an arriving outsider-god may be inherent and essential to his cults. He is a major, popular figure of Greek mythology and religion, and is included in some lists of the twelve Olympians. Dionysus was the last god to be accepted into Mt. Olympus. He was the youngest and the only one to have a mortal mother. His festivals were the driving force behind the development of Greek theatre. Modern scholarship categorises him as a dying-and-rising god.

The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or “man-womanish”. In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession (thiasus) is made up of wild female followers (maenads) and bearded satyrs with erect penises. Some are armed with the thyrsus, some dance or play music. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers, and is sometimes attended by a bearded, drunken Silenus. This procession is presumed to be the cult model for the human followers of his Dionysian Mysteries. In his Thracian mysteries, he wears the bassaris or fox-skin, symbolizing a new life. Dionysus is represented by city religions as the protector of those who do not belong to conventional society and thus symbolizes everything which is chaotic, dangerous and unexpected, everything which escapes human reason and which can only be attributed to the unforeseeable action of the gods.

Also known as Bacchus, the name adopted by the Romans and the frenzy he induces, bakkheia. His thyrsus is sometimes wound with ivy and dripping with honey. It is a beneficent wand but also a weapon, and can be used to destroy those who oppose his cult and the freedoms he represents. He is also called Eleutherios (“the liberator”), whose wine, music and ecstatic dance frees his followers from self-conscious fear and care, and subverts the oppressive restraints of the powerful. Those who partake of his mysteries are possessed and empowered by the god himself. His cult is also a “cult of the souls”; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead.

In Greek mythology, he is presented as a son of Zeus and the mortal Semele, thus semi-divine or heroic: and as son of Zeus and Persephone or Demeter, thus both fully divine, part-chthonic and possibly identical with Iacchus of the Eleusinian Mysteries. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity and a more powerful god from Thrace or Phrygia such as Sabazios or Zalmoxis.

The history of Ankara can be traced back to the Bronze Age Hatti civilization, which was succeeded in the 2nd millennium BC by the Hittites, in the 10th century BC by the Phrygians, and later by the Lydians, Persians, Macedonians, Galatians, Romans, Byzantines, Seljuks, and Ottomans.

Ancyra was the capital of the Celtic kingdom of Galatia, and later of the Roman province with the same name, after its conquest by Augustus in 25 BC.

Roman period

The city was subsequently conquered by Augustus in 25 BC and passed under the control of the Roman Empire. Now the capital city of the Roman province of Galatia, Ancyra continued to be a center of great commercial importance. Ankara is also famous for the Monumentum Ancyranum (Temple of Augustus and Rome) which contains the official record of the Acts of Augustus, known as the Res Gestae Divi Augusti, an inscription cut in marble on the walls of this temple. The ruins of Ancyra still furnish today valuable bas-reliefs, inscriptions and other architectural fragments.

Augustus decided to make Ancyra one of three main administrative centres in central Anatolia. The town was then populated by Phrygians and Celts-the Galatians who spoke a language closely related to Welsh and Gaelic. Ancyra was the center of a tribe known as the Tectosages, and Augustus upgraded it into a major provincial capital for his empire. Two other Galatian tribal centres, Tavium near Yozgat, and Pessinus (Balhisar) to the west, near Sivrihisar, continued to be reasonably important settlements in the Roman period, but it was Ancyra that grew into a grand metropolis.

An estimated 200,000 people lived in Ancyra in good times during the Roman Empire, a far greater number than was to be the case after the fall of the Roman Empire until the early 20th century. A small river, the Ankara Çayı, ran through the centre of the Roman town. It has now been covered over and diverted, but it formed the northern boundary of the old town during the Roman, Byzantine and Ottoman periods. Çankaya, the rim of the majestic hill to the south of the present city center, stood well outside the Roman city, but may have been a summer resort. In the 19th century, the remains of at least one Roman villa or large house were still standing not far from where the Çankaya Presidential Residence stands today. To the west, the Roman city extended until the area of the Gençlik Park and Railway Station, while on the southern side of the hill, it may have extended downwards as far as the site presently occupied by Hacettepe University. It was thus a sizeable city by any standards and much larger than the Roman towns of Gaul or Britain.