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Roman Bust of Mars Amulet
circa 1st-2nd Century A.D.
Bronze, measures approximately 3.3×2.3×1.2 centimeters
Weighs 17.68 grams
Helmeted head of Mars wearing helmet, with bare chest.
Amazing figure of Mars. What the likely purpose of this was for the praying of
the ancient Roman soldier to the god of war Mars. Also the figure could also be
interpreted as Virtus, or valor. In either case, the purpose of this piece
likely would have been for the ancient soldier to keep with him to pray for
victory. Being a soldier was a dangerous profession which did promise a lot on
retirement and was a route social mobility. So a piece like this would also
serve as an amulet of protection.
Provenance: From private collection in the United States of America.
Ownership History: From private collection in the United States, bought in
private sale in the United States of America.
You are bidding on the exact
item pictured, provided with a Certificate of Authenticity and Lifetime
Guarantee of Authenticity.
An amulet (Latin
amulētum) can be any object whose most important characteristic is its
alleged power to protect its owner from danger or harm. Amulets are different
from talismans
as a talisman is believed to bring
luck or some other benefit, though it can offer protection as well.
Amulets are often confused with
pendants
—charms that hang from necklaces—any
given pendant may indeed be an amulet, but so may any other charm which purports
to protect its owner from danger.
Potential amulets include
gems
, especially
engraved gems
,
statues
,
coins, drawings
,
pendants
,
rings
,
plants
and
animals
; even words in the form of a
magical spell
or
incantation
to repel
evil or bad luck.
The word “amulet” comes from the Latin amuletum; the earliest extant
use of the term is in
Pliny
‘s
Natural History
, meaning “an object that
protects a person from trouble”.
Mars (Latin:
Martis) was the
Roman
god of war
and also an
agricultural
guardian, a combination
characteristic of 
early
Rome
. He was second in importance only to
Jupiter
, and he was the most prominent of the
military gods in the
religion of the Roman army
. Most of his
festivals
were held in March, the month named
for him (MartiusLatin
), and in October, which
began and ended the season for military campaigning and farming.
Mars was
identified with
the
Greek god
Ares, whose
myths
were reinterpreted in
Roman literature
and
art
under the name of Mars. But the character
and dignity of Mars differed in fundamental ways from that of his Greek
counterpart, who is often treated with contempt and revulsion in
Greek literature
.Mars was a part of the
Archaic Triad
along with Jupiter and
Quirinus
, the latter of whom as a guardian of
the Roman people had no Greek equivalent. Mars’ altar in the
Campus Martius
, the area of Rome that took its
name from him, was supposed to have been dedicated by
Numa
, the peace-loving semi-legendary second
king of Rome
. Although the center of Mars’
worship was originally located outside the sacred boundary of Rome (pomerium),
Augustus
made the god a renewed focus of
Roman religion
by establishing the Temple of
Mars Ultor in
his new forum
.
Although Ares was viewed primarily as a destructive and destabilizing force,
Mars represented military power as a way
to secure peace
, and was a father (pater)
of the Roman people. In the mythic
genealogy
and
founding myths of Rome
, Mars was the father of
Romulus and Remus
with
Rhea Silvia
. His love affair with
Venus
symbolically reconciled the two different
traditions of Rome’s founding; Venus was the divine mother of the hero
Aeneas
, celebrated as the
Trojan refugee
who “founded” Rome several
generations before Romulus laid out the city walls.
The importance of Mars in establishing religious and cultural identity within
the Roman Empire
is indicated by the vast number of
inscriptions
identifying him with a local
deity, particularly in the
Western provinces
.
Venus and Mars
The union of Venus and Mars held greater appeal for poets and philosophers,
and the couple were a frequent subject of art. In Greek myth, the adultery of
Ares and Aphrodite
had been exposed to ridicule when her
husband Hephaestus
(whose Roman equivalent was
Vulcan
) caught them in the act by means of a
magical snare. Although not originally part of the Roman tradition, in 217 BC
Venus and Mars were presented as a complementary pair in the
lectisternium
, a public banquet at which
images of twelve major gods of the Roman state
were presented on couches as if present and participating.
Wall painting (mid-1st century AD) from which the House of Venus and
Mars at
Pompeii
takes its name
Scenes of Venus and Mars in
Roman art
often ignore the adulterous
implications of their union, and take pleasure in the good-looking couple
attended by Cupid
(amores). Some
scenes may imply marriage, and the relationship was romanticized in funerary or
domestic art in which husbands and wives had themselves portrayed as the
passionate divine couple.
The uniting of deities representing Love and War lent itself to
allegory
, especially since the lovers were the
parents of
Harmonia
. The Renaissance philosopher
Marsilio Ficino
notes that “only Venus
dominates Mars, and he never dominates her”.In ancient Roman and Renaissance
art, Mars is often shown disarmed and relaxed, or even sleeping, but the
extramarital nature of their affair can also suggest that this peace is
impermanent.
Sacred animals
She-wolf and twins from an altar to Venus and Mars
Temples and topography
The earliest center in Rome for cultivating Mars as a deity was the Altar of
Mars (Ara
Martis) in the
Campus Martius
(“Field of Mars”) outside the
sacred boundary of Rome (pomerium).
The Romans thought that this altar had been established by the semi-legendary
Numa Pompilius
, the peace-loving successor of
Romulus. According to Roman tradition, the Campus Martius had been consecrated
to Mars by their ancestors to serve as horse pasturage and an equestrian
training ground for youths.[49]
During the
Roman Republic
(509–27 BC), the Campus was a
largely open expanse. No temple was built at the altar, but from 193 BC a
covered walkway connected it to the
Porta Fontinalis
, near the office and archives
of the Roman censors
. Newly elected censors placed
their
curule chairs
by the altar, and when they had
finished conducting the census, the citizens were collectively
purified
with a suovetaurilia there. A
frieze
from the so-called
“Altar” of Domitius Ahenobarbus
is thought to
depict the census, and may show Mars himself standing by the altar as the
procession of victims advances.
The main Temple of Mars (Aedes
Martis) in the Republican period also lay outside the sacred boundary and
was devoted to the god’s warrior aspect. It was built to fulfill a vow (votum)
made by a
Titus Quinctius
in 388 BC during the
Gallic siege of Rome
.[53]
The founding day (dies
natalis) was commemorated on June 1, and the temple is attested
by several inscriptions and literary sources. The sculpture group of Mars and
the wolves was displayed there.Soldiers sometimes assembled at the temple before
heading off to war, and it was the point of departure for a major parade of
Roman cavalry
held annually on July 15.
A temple to Mars in the
Circus Flaminius
was built around 133 BC,
funded by
Decimus Junius Brutus Callaicus
from war booty.
It housed a colossal statue of Mars and a nude Venus.
The Campus Martius continued to provide venues for equestrian events such as
chariot racing
during the
Imperial period
, but under the first emperor
Augustus
it underwent a major program of urban
renewal, marked by monumental architecture. The Altar of Augustan Peace (Ara
Pacis Augustae) was located there, as was the
Obelisk of Montecitorio
, imported from
Egypt
to form the pointer (gnomon)
of the
Solarium Augusti
, a giant
sundial
. With its public gardens, the Campus
became one of the most attractive places in the city to visit.
Augustus chose the Campus Martius as the site of his new Temple to Mars Ultor,
a manifestation of Mars he cultivated as the avenger (ultor) of the
murder of Julius Caesar
and of the military
disaster suffered at the
Battle of Carrhae
. When the legionary standards
lost to the Parthians were recovered, they were housed in the new temple. The
date of the temple’s dedication on May 12 was aligned with the
heliacal setting
of the constellation
Scorpio
, the
house
of war. The date continued to be marked
with
circus games
as late as the mid-4th century AD.
A large statue of Mars was part of the short-lived
Arch of Nero
, which was built in 62 AD but
dismantled after Nero
‘s suicide and disgrace (damnatio
memoriae).
Mars Quirinus
Mars celebrated as peace-bringer on a Roman coin issued by
Aemilianus
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