|
Greek city of Antioch on the Orontes in Seleukis and Pieria
Bronze Tetrachalkon 21mm Dated year 19 of the Pompeian Era, 48/47 B.C.
Reference: McAlee 43; RPC I 4216; DCA 384; HGC 9, 1366
Certification: NGC Ancients Ch VF 6156464-047
Laureate head of Zeus right.
ANTIOXEΩN THΣ MHTPOΠOΛΕΩΣ, Zeus Nikephoros seated left; IΘ (date) in exergue; all within laurel wreath.
Founded by Seleukos I circa 300 B.C. with Greek and Macedonian settlers brought from the destroyed city of Antigoneia on the Orontes. The city was named after Seleukos’ father with the purpose of being a western capital to guard against the northern expansion of the Ptolemaic kingdom. Eventually as many territories were lost, Antioch became the only capital of the Seleukid kingdom. Pompey the Great deposed the last king Antiochos XIII in 64 B.C. The Romans then made it a capital of a new Roman province and the seat of the Roman governors. There were temples of Olympian Zeus, Apollo in Daphne, hippodrome (built under the Seleukids and embellished by the Romans) and colonnaded main streets (being a gift from Herod the Great). It was an important center for the arts and learning.
You are bidding on the exact item pictured, provided with a Certificate of Authenticity and Lifetime Guarantee of Authenticity.
Countermarked Coin is a coin marked after being minted and while it is in circulation. Marking can mean that the coin is fit for circulation or has been revalued. The latter is the case for countries that experience rapid changes in inflation and need to quickly change currency valuations. On ancient Greek and Roman bronze coins, there were ones that circulated so much and their designs have been therefore worn beyond recognition. This happened on many coins of emperor Augustus, whose coins circulated many decades and sometimes up to a century or more. In order to save money and energy producing new coins, what the ancients would do is make an incuse punch with either letters or symbols. What this allowed is for the coin to continue circulating because it was officially countermarked to be a valid coin of the realm. There are many interesting types of coins with countermarks to collect in ancient Greek and Roman numismatic coins. What is interesting about countermarked coins is that they truly have passed so many hands, that, just to imagine it, could amaze anyone.
Cleopatra VII Philopator (in Greek, Κλεοπάτρα Φιλοπάτωρ; (Late 69 BC – August 12, 30 BC) was the last person to rule Egypt as an Egyptian pharaoh – after she died, Egypt became a Roman province.
 She was a member of the Ptolemaic dynasty of Ancient Egypt, and therefore was a descendant of one of Alexander the Great’s generals who had seized control over Egypt after Alexander’s death. Most Ptolemeis spoke Greek and refused to learn Egyptian, which is the reason that Greek as well as Egyptian languages were used on official court documents like the Rosetta Stone. By contrast, Cleopatra learned Egyptian and represented herself as the reincarnation of an Egyptian Goddess.
Cleopatra originally ruled jointly with her father Ptolemy XII Auletes and later with her brothers, Ptolemy XIII and Ptolemy XIV, whom she married as per Egyptian custom, but eventually she became sole ruler. As pharaoh, she consummated a liaison with Gaius Julius Caesar that solidified her grip on the throne. She later elevated her son with Caesar, Caesarion, to co-ruler in name.
After Caesar’s assassination in 44 BC, she aligned with Mark Antony in opposition to Caesar’s legal heir, Gaius Iulius Caesar Octavianus (later known as Augustus). With Antony, she bore the twins Cleopatra Selene II and Alexander Helios, and another son, Ptolemy Philadelphus. Her unions with her brothers produced no children. After losing the Battle of Actium to Octavian’s forces, Antony committed suicide. Cleopatra followed suit, according to tradition killing herself by means of an asp bite on August 12, 30 BC. She was briefly outlived by Caesarion, who was declared pharaoh, but he was soon killed on Octavian’s orders. Egypt became the Roman province of Aegyptus.
Though Cleopatra bore the ancient Egyptian title of pharaoh, the Ptolemaic dynasty was Hellenistic, having been founded 300 years before by Ptolemy I Soter, a Macedonian Greek general of Alexander the Great.[4][5][6][7] As such, Cleopatra’s language was the Greek spoken by the Hellenic aristocracy, though she was reputed to be the first ruler of the dynasty to learn Egyptian. She also adopted common Egyptian beliefs and deities. Her patron goddess was Isis, and thus, during her reign, it was believed that she was the re-incarnation and embodiment of the goddess of wisdom. Her death marked the end of the Ptolemaic Kingdom and Hellenistic period and the beginning of the Roman era in the eastern Mediterranean.
To this day, Cleopatra remains a popular figure in Western culture. Her legacy survives in numerous works of art and the many dramatizations of her story in literature and other media, including William Shakespeare’s tragedy Antony and Cleopatra, Jules Massenet’s opera Cléopâtre and the 1963 film Cleopatra. In most depictions, Cleopatra is put forward as a great beauty and her successive conquests of the world’s most powerful men are taken to be proof of her aesthetic and sexual appeal. In his Pensées, philosopher Blaise Pascal contends that Cleopatra’s classically beautiful profile changed world history: “Cleopatra’s nose, had it been shorter, the whole face of the world would have been changed.”
In the ancient Greek religion, Zeus was the “Father of Gods and men” (πατὴρ ἀνδρῶν τε θεῶν τε) who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and Etruscan counterpart is Tinia.
Zeus was the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he was married to Hera, although, at the oracle of Dodona, his consort was Dione: according to the Iliad, he is the father of Aphrodite by Dione. He is known for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo and Artemis, Hermes, Persephone (by Demeter), Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses (by Mnemosyne); by Hera, he is usually said to have fathered Ares, Hebe and Hephaestus.
As Walter Burkert points out in his book, Greek Religion, “Even the gods who are not his natural children address him as Father, and all the gods rise in his presence.” For the Greeks, he was the King of the Gods, who oversaw the universe. As Pausanias observed, “That Zeus is king in heaven is a saying common to all men”. In Hesiod’s Theogony Zeus assigns the various gods their roles. In the Homeric Hymns he is referred to as the chieftain of the gods.
His symbols are the thunderbolt, eagle, bull, and oak. In addition to his Indo-European inheritance, the classical “cloud-gatherer” also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses: standing, striding forward, with a thunderbolt leveled in his raised right hand, or seated in majesty.
 In Greek mythology, Nike was a goddess who personified victory, also known as the Winged Goddess of Victory. The Roman equivalent was Victoria. Depending upon the time of various myths, she was described as the daughter of Pallas (Titan) and Styx (Water) and the sister of Kratos (Strength), Bia (Force), and Zelus (Zeal). Nike and her siblings were close companions of Zeus, the dominant deity of the Greek pantheon. According to classical (later) myth, Styx brought them to Zeus when the god was assembling allies for the Titan War against the older deities. Nike assumed the role of the divine charioteer, a role in which she often is portrayed in Classical Greek art. Nike flew around battlefields rewarding the victors with glory and fame.
Nike is seen with wings in most statues and paintings. Most other winged deities in the Greek pantheon had shed their wings by Classical times. Nike is the goddess of strength, speed, and victory. Nike was a very close acquaintance of Athena, and is thought to have stood in Athena’s outstretched hand in the statue of Athena located in the Parthenon. Nike is one of the most commonly portrayed figures on Greek coins.
Names stemming from Nike include amongst others: Nicholas, Nicola, Nick, Nikolai, Nils, Klaas, Nicole, Ike, Niki, Nikita, Nika, Niketas, and Nico.
|
