|
Caracalla
–
Roman Emperor
: 198-217 A.D. –
Silver Denarius 19mm (3.59 grams) Rome mint 201-206 A.D.
Reference: RIC 127, S 6799
ANTONINVSPIVSAVG – Laureate, draped bust right.
FELICITASAVGG – Felicitas standing left, holding caduceus and cornucopia.
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The cornucopia (from Latin cornu copiae) or horn of plenty
is a symbol of abundance and nourishment, commonly a large horn-shaped container
overflowing with produce, flowers, nuts, other edibles, or wealth in some form.
Originating in
classical antiquity
, it has continued as a
symbol in
Western art
, and it is particularly associated
with the
Thanksgiving
holiday in
North America
.
Allegorical
depiction of the Roman
goddess
Abundantia
with a cornucopia, by
Rubens
(ca. 1630)
In Mythology
Mythology
offers multiple
explanations of the origin
of the cornucopia.
One of the best-known involves the birth and nurturance of the infant
Zeus, who had to be hidden from his devouring father
Cronus
. In a cave on
Mount Ida
on the island of
Crete
, baby Zeus was cared for and protected by
a number of divine attendants, including the goat
Amalthea
(“Nourishing Goddess”), who fed him
with her milk. The suckling future king of the gods had unusual abilities and
strength, and in playing with his nursemaid accidentally broke off one of her
horns
, which then had the divine power to
provide unending nourishment, as the foster mother had to the god.
In another myth, the cornucopia was created when
Heracles
(Roman
Hercules
) wrestled with the river god
Achelous
and wrenched off one of his horns;
river gods were sometimes depicted as horned. This version is represented in the
Achelous and Hercules
mural painting
by the
American Regionalist
artist
Thomas Hart Benton
.
The cornucopia became the attribute of several
Greek
and
Roman deities
, particularly those associated
with the harvest, prosperity, or spiritual abundance, such as personifications
of Earth (Gaia
or
Terra
); the child
Plutus
, god of riches and son of the grain
goddess Demeter
; the
nymph
Maia
; and
Fortuna
, the goddess of luck, who had the power
to grant prosperity. In
Roman Imperial cult
, abstract Roman deities who
fostered peace (pax
Romana) and prosperity were also depicted with a cornucopia,
including Abundantia
, “Abundance” personified, and
Annona
, goddess of the
grain supply to the city of Rome
.
Pluto
, the classical ruler of the underworld in
the
mystery religions
, was a giver of agricultural,
mineral and spiritual wealth, and in art often holds a cornucopia to distinguish
him from the gloomier Hades
, who holds a
drinking horn
instead.
Modern depictions
In modern depictions, the cornucopia is typically a hollow, horn-shaped
wicker basket filled with various kinds of festive
fruit
and
vegetables
. In North America, the cornucopia
has come to be associated with
Thanksgiving
and the harvest. Cornucopia is
also the name of the annual November Wine and Food celebration in
Whistler
, British Columbia, Canada. Two
cornucopias are seen in the
flag
and
state seal
of
Idaho
. The Great
Seal
of
North Carolina
depicts Liberty standing and
Plenty holding a cornucopia. The coat of arms of
Colombia
,
Panama
,
Peru and
Venezuela
, and the Coat of Arms of the State of
Victoria, Australia
, also feature the
cornucopia, symbolising prosperity.
The horn of plenty is used on body art and at Halloween, as it is a symbol of
fertility, fortune and abundance.
-
Base of a statue of
Louis XV of France
The caduceus from
Greek
“herald’s staff” is the staff carried by
Hermes
in
Greek mythology
. The same staff was also borne
by heralds in general, for example by
Iris
, the messenger of
Hera. It is a short staff entwined by two
serpents
, sometimes surmounted by wings. In
Roman iconography it was often depicted being carried in the left hand of
Mercury
, the messenger of the gods, guide of
the dead and protector of merchants, shepherds, gamblers, liars, and thieves.
As a symbolic object it represents Hermes (or the Roman Mercury), and by
extension trades, occupations or undertakings associated with the god. In later
Antiquity
the caduceus provided the basis for
the
astrological symbol
representing the
planet Mercury
. Thus, through its use in
astrology
and
alchemy
, it has come to denote the
elemental metal
of the same name.
By extension of its association with Mercury/Hermes, the caduceus is also a
recognized symbol of commerce and negotiation, two realms in which balanced
exchange and reciprocity are recognized as ideals. This association is ancient,
and consistent from the Classical period to modern times. The caduceus is also
used as a symbol representing printing, again by extension of the attributes of
Mercury (in this case associated with writing and eloquence).
The caduceus is sometimes mistakenly used
as a symbol of medicine and/or medical practice
,
especially in
North America
, because of widespread confusion
with the traditional medical symbol, the
rod of Asclepius
, which has only a single snake
and no wings.
The term kerukeion denoted any herald’s staff, not necessarily
associated with Hermes in particular.
Lewis Richard Farnell
(1909) in his study of
the cult of Hermes assumed that the two snakes had simply developed out of
ornaments of the shepherd’s crook used by heralds as their staff. This view has
been rejected by later authors pointing to parallel iconography in the Ancient
Near East. It has been argued that the staff or wand entwined by two snakes was
itself representing a god in the pre-anthropomorphic era. Like the
herm
or
priapus
, it would thus be a predecessor of the
anthropomorphic Hermes of the classical era.
Ancient Near East
William Hayes Ward
(1910) discovered that
symbols similar to the classical caduceus sometimes appeared on
Mesopotamian cylinder seals
. He suggested the
symbol originated some time between 3000 and 4000 BCE, and that it might have
been the source of the Greek caduceus.[10]
A.L. Frothingham incorporated Dr. Ward’s research into his own work, published
in 1916, in which he suggested that the prototype of Hermes was an “Oriental
deity of Babylonian extraction” represented in his earliest form as a snake god.
From this perspective, the caduceus was originally representative of Hermes
himself, in his early form as the Underworld god
Ningishzida
, “messenger” of the “Earth Mother”.
The caduceus is mentioned in passing by
Walter Burkert
[12]
as “really the image of copulating snakes taken over from Ancient Near Eastern
tradition”.
In Egyptian iconography, the
Djed pillar is depicted as containing a snake in a frieze of the
Dendera Temple complex
.
The rod of Moses
and the
brazen serpent
are frequently compared to the
caduceus, especially as Moses is acting as a messenger of God to the
Pharaoh
at the point in the narrative where he
changes his staff into a serpent.[13]
Classical antiquity
Mythology
The
Homeric hymn
to Hermes relates how Hermes
offered his lyre fashioned from a tortoise shell as compensation for the
cattle he stole
from his half brother
Apollo
. Apollo in return gave Hermes the
caduceus as a gesture of friendship. The association with the serpent thus
connects Hermes to Apollo
, as later the serpent was associated
with Asclepius
, the “son of Apollo”. The association
of Apollo with the serpent is a continuation of the older
Indo-European
dragon
-slayer motif.
Wilhelm Heinrich Roscher
(1913) pointed out
that the serpent as an attribute of both Hermes and Asclepius is a variant of
the “pre-historic semi-chthonic serpent hero known at Delphi as
Python
“, who in classical mythology is slain by
Apollo.
One Greek myth of origin
of the caduceus is part of the
story of Tiresias
, who found two snakes copulating and
killed the female with his staff. Tiresias was immediately turned into a woman,
and so remained until he was able to repeat the act with the male snake seven
years later. This staff later came into the possession of the god Hermes, along
with its transformative powers.
Another myth suggests that Hermes (or Mercury) saw two serpents entwined in
mortal combat. Separating them with his wand he brought about peace between
them, and as a result the wand with two serpents came to be seen as a sign of
peace.
In Rome, Livy
refers to the caduceator who
negotiated peace arrangements under the diplomatic protection of the caduceus he
carried.
Iconography
In some vase paintings ancient depictions of the Greek kerukeion are
somewhat different from the commonly seen modern representation. These
representations feature the two snakes atop the staff (or rod), crossed to
create a circle with the heads of the snakes resembling horns. This old graphic
form, with an additional crossbar to the staff, seems to have provided the basis
for the graphical
sign of Mercury
(☿) used in
Greek astrology
from Late Antiquity.
Use in alchemy
and occultism
As the symbol of both the
planet
and the
metal
named for Mercury, the caduceus became an
important symbol in
alchemy
.
The
crucified serpent
was also revived as an
alchemical symbol for
fixatio
, and
John Donne
(Sermons 10:190) uses
“crucified Serpent” as a title of
Jesus Christ
.
Symbol of commerce
A simplified variant of the caduceus is to be found in dictionaries,
indicating a “commercial term” entirely in keeping with the association of
Hermes with commerce. In this form the staff is often depicted with two winglets
attached and the snakes are omitted (or reduced to a small ring in the middle).
The Customs Service of the former
German Democratic Republic
employed the
caduceus, bringing its implied associations with thresholds, translators, and
commerce, in the service medals they issued their staff.
Misuse as symbol
of medicine
It is relatively common, especially in the United States, to find the
caduceus, with its two snakes and wings, used as a symbol of medicine instead of
the correct rod of Asclepius, with only a single snake. This usage is erroneous,
popularised largely as a result of the adoption of the caduceus as its insignia
by the
US Army medical corps
in 1902 at the insistence
of a single officer (though there are conflicting claims as to whether this was
Capt. Frederick P. Reynolds or Col. John R. van Hoff).
The rod of Asclepius is the dominant symbol for professional healthcare
associations in the United States. One survey found that 62% of professional
healthcare associations used the rod of Asclepius as their symbol. The same
survey found that 76% of commercial healthcare organizations used the Caduceus
symbol. The author of the study suggests the difference exists because
professional associations are more likely to have a real understanding of the
two symbols, whereas commercial organizations are more likely to be concerned
with the visual impact a symbol will have in selling their products.
The initial errors leading to its adoption and the continuing confusion it
generates are well known to medical historians. The long-standing and abundantly
attested historical associations of the caduceus with commerce, theft,
deception, and death are considered by many to be inappropriate in a symbol used
by those engaged in the healing arts. This has occasioned significant criticism
of the use of the caduceus in a medical context.
In
ancient Roman culture
, felicitas
(from the Latin
adjective
felix, “fruitful, blessed,
happy, lucky”) is a condition of divinely inspired productivity, blessedness, or
happiness
. Felicitas could encompass
both a woman’s fertility, and a general’s luck or good fortune. The divine
personification of Felicitas was
cultivated
as a goddess. Although felicitas
may be translated as “good luck,” and the goddess Felicitas shares some
characteristics and attributes with
Fortuna
, the two were distinguished in
Roman religion
.Fortuna was unpredictable and
her effects could be negative, as the existence of an altar to Mala Fortuna
(“Bad Luck”) acknowledges.Felicitas, however, always had a positive
significance. She appears with
several epithets that focus on aspects of her divine power.
Felicitas had a temple in Rome as early as the mid-2nd century BC, and during
the Republican era
was honored at two
official festivals
of
Roman state religion
, on July 1 in conjunction
with
Juno
and October 9 as Fausta Felicitas.
Felicitas continued to play an important role in
Imperial cult
, and was frequently portrayed on
coins
as a symbol of the wealth and prosperity
of the Roman Empire
. Her primary attributes are the
caduceus
and
cornucopia
.The English word “felicity” derives
from felicitas.
As virtue or quality
Phallic
relief
with the inscription
“Felicitas dwells here”
In its religious sense, felix means “blessed, under the protection or
favour of the gods; happy.” That which is felix has achieved the
pax divom
, a state of harmony or peace with
the divine world. The word derives from
Indo-European
*dhe(i)l, meaning “happy,
fruitful, productive, full of nourishment.” Related Latin words include
femina, “woman” (a person who provides nourishment or suckles); felo,
“to suckle” in regard to an infant; filius, “son” (a person suckled); and
probably fello, fellare, “to perform
fellatio
“, with an originally non-sexual
meaning of “to suck”. The continued magical association of sexual potency,
increase, and general good fortune in productivity is indicated by the
inscription Hic habitat Felicitas (“Felicitas dwells here”)[8]
on an
apotropaic
relief of a
phallus
at a bakery in
Pompeii
.
In archaic Roman culture, felicitas was a quality expressing the close
bonds between
religion and agriculture
. Felicitas was
at issue when the
suovetaurilia
sacrifice conducted by
Cato the Elder
as
censor
in 184 BC was challenged as having been
unproductive, perhaps for
vitium
, ritual error. In the following
three years Rome had been plagued by a number of ill omens and prodigies (prodigia),
such as severe storms, pestilence, and “showers of blood,” which had required a
series of expiations (supplicationes).
The speech Cato gave to justify himself is known as the Oratio de lustri sui
felicitate, “Speech on the Felicitas of his
Lustrum
“, and survives only as a possible
quotation by a later source. Cato says that a lustrum should be found to
have produced felicitas “if the crops had filled up the storehouses, if
the vintage had been abundant, if the olive oil had flowed deliberately from the
groves”, regardless of whatever else might have occurred. The efficacy of a
ritual might be thus expressed as its felicitas.
The ability to promote felicitas became proof of one’s excellence and
divine favor. Felicitas was simultaneously a divine gift, a quality that
resided within an individual, and a contagious capacity for generating
productive conditions outside oneself: it was a form of “charismatic
authority”. Cicero
lists felicitas as one of the
four virtues of the exemplary general, along with knowledge of
military science
(scientia rei militaris),
virtus
(both “valor” and “virtue”), and
auctoritas
, “authority.” Virtus was
a regular complement to felicitas, which was not thought to attach to
those who were unworthy. Cicero attributed felicitas particularly to
Pompeius Magnus (“Pompey the Great”)
, and
distinguished this felicitas even from the divine good luck enjoyed by
successful generals such as
Fabius Maximus
,
Marcellus
,
Scipio the Younger
and
Marius
.
The sayings (sententiae) of
Publilius Syrus
are often attached to divine
qualities, including Felicitas: “The people’s Felicitas is powerful when she is
merciful” (potens misericors publica est Felicitas).
Epithets
Epithets
of Felicitas include:
Augusta
, the goddess in her association
with the emperor and
Imperial cult
.- Fausta (“Favored, Fortunate”), a state divinity
cultivated
on October 9 in conjunction with
Venus Victrix
and the Genius Populi
Romani (“Genius”
of the Roman People, also known as the Genius Publicus).
- Publica, the “public” Felicitas; that is, the aspect of the
divine force that was concerned with the res publica or commonwealth,
or with the Roman People (Populus Romanus).
- Temporum, the Felicitas “of the times”, a title which emphasize
the felicitas being experienced in current circumstances.
Republic
The
cult
of Felicitas is first recorded in the
mid-2nd century BC, when a
temple
was dedicated to her by
Lucius Licinius Lucullus
, grandfather of the
famous Lucullus
, using booty from his military
campaigns in
Spain
in 151–150 BC. Predecessor to a noted
connoisseur of art, Lucullus obtained and dedicated several statues looted by
Mummius
from
Greece
, including works by
Praxiteles
: the Thespiades, a statue
group of the
Muses
brought from
Thespiae
, and a
Venus
. This Temple of Felicitas was among
several that had a secondary function as art museums, and was recommended by
Cicero
along with the
Fortuna Huiusce
DieiTemple of
for those who enjoyed viewing art but lacked the means to
amass private collections. The temple was located in the
Velabrum
in the
Vicus Tuscus
of the
Campus Martius
, along a route associated with
triumphs
: the axle of
Julius Caesar
‘s triumphal
chariot
in 46 BC is supposed to have broken in
front of it. The temple was destroyed by a fire during the reign of
Claudius
, though the Muses were rescued. It was
not rebuilt at this site.
Sulla identified himself so closely with the quality of felicitcas
that he adopted the
agnomen
(nickname) Felix. His
domination as
dictator
resulted from civil war and
unprecedented military violence within the city of Rome itself, but he
legitimated his authority by claiming that the mere fact of his victory was
proof he was felix and enjoyed the divine favor of the gods. Republican
precedent was to regard a victory as belonging to the Roman people as a whole,
as represented by the
triumphal procession
at which the honored
general submitted public offerings at the
Temple of Jupiter Optimus Maximus
at the
Capitol
, and Sulla thus established an
important theological element for the later authority of the emperor. Although
he established no new temple for Felicitas, he celebrated games (ludi
circenses) in her honor.
On July 1 and October 9, Felicitas received a sacrifice in Capitolio,
on the
Capitoline Hill
, on the latter date as
Fausta Felicitas in conjunction with the
Genius Publicus
(“Public
Genius
“) and
Venus Victrix
. These observances probably took
place at an altar or small shrine (aedicula),
not a separate
temple precinct
. The
Acts of the Arval Brothers
(1st century AD)
prescribe a cow as the sacrifice for Felicitas. Pompey established a shrine for
Felicitas at
his new theater and temple complex
, which used
the steps to the Temple of Venus Victrix as seating. Felicitas was cultivated
with Honor
and Virtue, and she may have shared her
shrine there with
Victory
, as she did in the Imperial era as
Felicitas Caesaris (Caesar’s Felicitas) at
Ameria
. Pompey’s collocation of deities may
have been intended to parallel the Capitoline grouping.
A fourth cult site for Felicitas in Rome had been planned by Caesar, and
possibly begun before his death. Work on the temple was finished by
Lepidus
on the site of the
Curia Hostilia
, which had been restored by
Sulla, destroyed by fire in 52 BC, and demolished by Caesar in 44 BC. This
temple seems not to have existed by the time of
Hadrian
. Its site probably lies under the
church of
Santi Luca e Martina
. v It has been
suggested that an
Ionic capital
and a
tufa wall uncovered at the site are the only known remains of the
temple.
Felicitas was a
watchword
used by Julius Caesar’s troops at the
Battle of Thapsus
, the names of deities and
divine personifications being often recorded for this purpose in the late
Republic.
Felicitas Iulia
(“Julian Felicitas”) was
the name of a
colony
in
Roman Spain
that was refounded under Caesar and
known also as Olisipo
, present-day
Lisbon
, Portugal.
During the Republic, only divine personifications known to have had a temple
or public altar were featured on coins, among them Felicitas. On the only extant
Republican coin type, Felicitas appears as a bust and wearing a
diadem
.
Empire
Felicitas Temporum represented by a pair of cornucopiae on a
denarius
(193-194 AD) issued under
Pescennius Niger
A calendar from Cumae
records that a
supplicatio
was celebrated on April 16 for
the Felicitas of the Empire, in honor of the day
Augustus
was first acclaimed
imperator
. In extant Roman coinage,
Felicitas appears with a
caduceus
only during the Imperial period. The
earliest known example is Felicitas Publica on a
dupondius
issued under
Galba
. Felicitas Temporum (“Prosperity
of the Times”), reflecting a
Golden Age
ideology, was among the innovative
virtues that began to appear during the reigns of
Trajan
and
Antoninus Pius
.
Septimius Severus
, whose reign followed the
exceedingly brief tenure of
Pertinax
and unsatisfactory conditions under
Commodus
, used coinage to express his efforts
toward restoring the
Pax Romana
, with themes such as Felicitas
Temporum and Felicitas Saeculi, “Prosperity of the Age” (saeculum),
prevalent in the years 200 to 202. Some Imperial coins use these phrases with
images of women and children in the emperor’s family.
When the Empire came under Christian rule, the personified virtues that had
been cultivated as deities could be treated as abstract concepts. Felicitas
Perpetua Saeculi (“Perpetual Blessedness of the Age”) appears on a coin
issued under
Constantine
, the first emperor to convert to
Christianity.
Antoninus (Called ‘Caracalla’)
 Caesar:
195-198 A.D.
Augustus: 198-217 A.D.
( 198-209 A.D. – with Septimius Severus)
( 209-211 A.D. – with Septimius Severus and Geta)
( 211-217 A.D. – Sole Reign)
Caracalla (April
4, 188
–
April 8
,
217.
Caracallus ), born Lucius Septimius Bassianus and later called Marcus
Aurelius Antoninus and Marcus Aurelius Severus Antoninus, was the
eldest son of
Septimius Severus
and
Roman Emperor
from 211 to 217. He was one of
the most nefarious of Roman emperors. Caracalla’s reign was notable for:
-
the
Constitutio Antoniniana
, granting
Roman citizenship
to freemen throughout the
Roman Empire
, according to
Cassius Dio
in order to increase taxation;
-
debasing the silver content in Roman coinage by 25 percent in
order to pay the legions; and
-
the construction of a large
thermae
outside Rome, the remains of which, known as the
Baths of Caracalla
, can still be seen today
“Caracalla was the common enemy of all mankind,” wrote
Edward Gibbon
. He spent his reign traveling
from province to province so that each could experience his “rapine and
cruelty.”
Caracalla’s real name was Marcus Aurelius Antoninus. He got the
nickname from his habit of wearing a cloak by the same name. Caracalla was the
elder son of Septimius Severus and brother of Geta whom he positively hated.
Hated so much, in fact, that he had him murdered a few years later. In the
mayhem that followed, Caracalla’s men went on a killing spree of anyone
suspected of being a Geta sympathizer. In the massacre, it’s estimated up to
20,000 people lost their lives. Caracalla would go on to rule for another five
years but his bad karma caught up with him and he was assassinated in a plot
perpetrated by Macrinus.
As an emperor Caracalla possessed few redeeming qualities and among the worst
of them would be his ruinous drain on the treasury. Because he knew everyone
hated him he sought the protection of the army. And the surest way of getting
this protection was to buy it outright. He raised the pay of the solider to
about four denarii per day, nearly quadrupling the salary of just a few years
prior. And on top of their regular salary he heaped endless bonuses and other
concessions meant to endear them. This money could only have come by the
oppressive taxation of ordinary citizens as well as the seizures of property of
the wealthy under trumped-up charges. This not only intensified the hatred
against him but also had the effect of corrupting the military who had become
accustomed to this life of luxury and throwing the economy into lasting
disarray.
Rise to power
Caracalla, of mixed
Punic
/Berber
and Syrian
Arab
descent, was born Lucius Septimius Bassianus in
Lugdunum
,
Gaul (now
Lyon,
France
), the
son of the later Emperor Septimius Severus and
Julia
Domna
. At the age of seven, his name was changed to Marcus Aurelius
Septimius Bassianus Antoninus to solidify connection to the family of
Marcus Aurelius
. He was later given the
Caracalla nickname
, which referred to the Gallic hooded tunic he habitually wore
and which he made fashionable.
His father, who had taken the imperial throne in 193, died in
211 while touring the northern marches at
Eboracum
(York),
and Caracalla was proclaimed co-emperor with his brother
Publius Septimius Antoninius Geta
. However since both of them wanted to be
the sole ruler, tensions between the brothers were evident in the few months
they ruled the empire together (they even considered dividing the empire in two,
but were persuaded not to do so by their mother). In December 211, Caracalla had
Geta, the family of his former father-in-law
Gaius Fulvius Plautianus
, his wife
Fulvia Plautilla
(also his paternal second cousin), and her brother
assassinated. He persecuted Geta’s supporters and ordered a
damnatio memoriae
by the Senate against his brother.
Reign
In 213 Caracalla went north to the German frontier to deal
with the
Alamanni
who were causing trouble in the
Agri Decumates
. The emperor managed to win the sympathy of the soldiers with
generous pay rises and popular gestures, like marching on foot among the
ordinary soldiers, eating the same food, and even grinding his own flour with
them.
Caracalla defeated the Alamanni in a battle near the river
Main, but failed to
win a decisive victory over them. After a peace agreement was brokered, the
senate conferred upon him the title “Germanicus Maximus”. In the next year the
emperor traveled to the East.
When the inhabitants of
Alexandria
heard Caracalla’s claims that he had killed Geta in self-defense,
they produced a satire mocking this claim, as well as Caracalla’s other
pretensions. Caracalla responded to this insult savagely in 215 by slaughtering
the deputation of leading citizens who had unsuspectingly assembled before the
city to greet his arrival, and then unleashed his troops for several days of
looting and plunder in Alexandria. According to historian Cassius Dio, over
20,000 people were killed.
During his reign as emperor, Caracalla raised the annual pay
of an average legionary to 675
denarii
and lavished many benefits on the army which he both feared and
admired, as instructed by his father Septimius Severus who had told him to
always mind the soldiers and ignore everyone else. His official portraiture
marked a break with the detached images of the philosopher-emperors who preceded
him: his close-cropped haircut is that of a soldier, his pugnacious scowl a
realistic and threatening presence. The rugged soldier-emperor iconic type was
adopted by several of the following emperors who depended on the support of the
legions, like
Trebonianus Gallus
.[11]
Seeking to secure his own legacy, Caracalla also commissioned
one of Rome’s last major architectural achievements, the
Baths of Caracalla
, the largest public bath ever built in ancient Rome. The
main room of the baths was larger than
St. Peter’s Basilica
, and could easily accommodate over 2,000 Roman citizens
at one time. The bath house opened in 216, complete with private rooms and
outdoor tracks. Internally it was decorated with golden trim and mosaics.
The Roman Empire and its provinces in 210 AD
Fall
While travelling from
Edessa
to begin a war with
Parthia
, he
was assassinated while urinating at a roadside near
Harran
on
April 8
,
217 by Julius
Martialis, an officer in the imperial bodyguard.
Herodian
says that Martialis’ brother had been executed a few days earlier by Caracalla
on an unproven charge; Cassius Dio, on the other hand, says that Martialis was
resentful at not being promoted to the rank of centurion. The escort of the
emperor gave him privacy to relieve himself, and Martialis ran forward and
killed Caracalla with a single sword stroke. He immediately fled on horseback,
but was killed by a bodyguard archer.[
neededcitation]
Caracalla was succeeded by the Praetorian Prefect of the
Guard,
Macrinus
,
who almost certainly was part of the conspiracy against the emperor.
His nickname
According to
Aurelius Victor
in his Epitome de Caesaribus, the
cognomen
“Caracalla” refers to a Gallic cloak
that Caracalla adopted as a personal fashion, which spread to his army
and his court.
Cassius Dio
and the
Historia Augusta
[14]
agree that his nickname derived from his cloak, but do not mention its country
of origin.
Caracalla and Geta by
Lawrence Alma-Tadema
. 1907.
Legendary king of Britain
Geoffrey of Monmouth
‘s legendary
History of the Kings of Britain
makes Caracalla a king of Britain,
referring to him by his actual name “Bassianus”, rather than the nickname
Caracalla. After Severus’s death, the Romans wanted to make Geta king of
Britain, but the Britons preferred Bassianus because he had a British mother.
The two brothers fought a battle in which Geta was killed, and Bassianus
succeeded to the throne. He ruled until he was betrayed by his
Pictish
allies
and overthrown by
Carausius
,
who, according to Geoffrey, was a Briton, rather than the
Menapian
Gaul
that he actually was.
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