Greek city of Dionysopolis in Moesia Inferior
Bronze 18mm (5.09 grams) Struck circa 300-200 B.C.
Reference: Moushmov 80
Bearded head of Hercules right.
ΔIONYΣOΠΟΛΙΤ to left and right of cornucopia.

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Heracles, born Alcaeus (Alkaios) or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of royal clans who claimed to be Heracleidae and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of their own, some of it linking the hero with the geography of the Central Mediterranean. Details of his cult were adapted to Rome as well.

Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him. Heracles used his wits on several occasions when his strength did not suffice, such as when laboring for the king Augeas of Elis, wrestling the giant Antaeus, or tricking Atlas into taking the sky back onto his shoulders. Together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the lion skin and the club. These qualities did not prevent him from being regarded as a playful figure who used games to relax from his labors and played a great deal with children. By conquering dangerous archaic forces he is said to have “made the world safe for mankind” and to be its benefactor. Heracles was an extremely passionate and emotional individual, capable of doing both great deeds for his friends (such as wrestling with Thanatos on behalf of Prince Admetus, who had regaled Heracles with his hospitality, or restoring his friend Tyndareus to the throne of Sparta after he was overthrown) and being a terrible enemy who would wreak horrible vengeance on those who crossed him, as Augeas, Neleus and Laomedon all found out to their cost.

The cornucopia (from Latin cornu copiae) or horn of plenty is a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers or nuts. The horn originates from classical antiquity, it has continued as a symbol in Western art, and it is particularly associated with the Thanksgiving holiday in North America.

Mythology offers multiple explanations of the origin of the cornucopia. One of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Kronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of divine attendants, including the goat Amalthea (“Nourishing Goddess”), who fed him with her milk. The suckling future king of the gods had unusual abilities and strength, and in playing with his nursemaid accidentally broke off one of her horns, which then had the divine power to provide unending nourishment, as the foster mother had to the god.

In another myth, the cornucopia was created when Heracles (Roman Hercules) wrestled with the river god Achelous and wrenched off one of his horns; river gods were sometimes depicted as horned. This version is represented in the Achelous and Hercules mural painting by the American Regionalist artist Thomas Hart Benton.

The cornucopia became the attribute of several Greek and Roman deities, particularly those associated with the harvest, prosperity, or spiritual abundance, such as personifications of Earth (Gaia or Terra); the child Plutus, god of riches and son of the grain goddess Demeter; the nymph Maia; and Fortuna, the goddess of luck, who had the power to grant prosperity. In Roman Imperial cult, abstract Roman deities who fostered peace (pax Romana) and prosperity were also depicted with a cornucopia, including Abundantia, “Abundance” personified, and Annona, goddess of the grain supply to the city of Rome. Pluto, the classical ruler of the underworld in the mystery religions, was a giver of agricultural, mineral and spiritual wealth, and in art often holds a cornucopia to distinguish him from the gloomier Hades, who holds a drinking horn instead.

Balchik (Bulgarian: Балчик) is a Black Sea coastal town and seaside resort in the Southern Dobruja area of northeastern Bulgaria. It is located in Dobrich Oblast and is 42 km northeast of Varna. The town sprawls scenically along hilly terraces descending from the Dobruja plateau to the sea.

The Ionian ancient Greek colony of Krounoi in Moesia (renamed as Dionysopolis, after the discovery of a statue of Dionysus in the sea ), later a Greek-Byzantine fortress, stood on the site of an older Thracian settlement. Under the Ottoman Empire, the town came to be known with its present name, which perhaps derived from a Gagauz word meaning “small town”. Another opinion is that its actual name derived from Balik’s name.

After the liberation of Bulgaria, Balchik developed as centre of a rich agricultural region, wheat-exporting port, and district (okoliya) town, and later, as a major tourist destination with the beachfront resort of Albena to its south. The ethnic composition gradually changed from mostly Gagauz and Tatar/Turkish to predominantly Bulgarian. According to an estimate by Bulgarian historian Rayna Gavrilova the Bulgarian population before 1878 was only around 10%. Currently the municipality (the town plus 22 villages) is 69.2% Bulgarian, 16.2% Turkish minority and 12.3% Romani. An Ottoman mosque remains to serve the Muslim minority.

After the Second Balkan War, in 1913, Balchick became part of The Kingdom of Romania. The town was regained by Bulgaria during World War I (1916-1919), but Romania restored its authority when the hostilities in region ceased. In 1940, just before outbreak of World War II in the region, Balchik was ceded by Romania to Bulgaria by the terms of the Craiova Treaty.

During Romania’s administration, the Balchik Palace was the favourite summer residence of Queen Marie of Romania and her immediate family. The town is the site of Marie’s Oriental villa, the place where her heart was kept, in accordance with her last wishes, until 1940 (when the Treaty of Craiova awarded the region back to Bulgaria). It was then moved to Bran Castle, in central Romania. Today, the Balchik Palace and the adjacent Balchik Botanical Garden are the town’s most popular landmarks. Currently, three 18-hole golf courses are being developed around town, two designed by Gary Player and one by Ian Woosnam.

During the inter-war period, Balchik was also a favourite destination for Romanian avant-garde painters, lending his name to an informal school of post-impressionist painters – the Balchik School of Painting – which is central in the development of Romanian 20th century painting. Many works of the artists composing the group depict the town’s houses and the exotic Tatar inhabitants, as well as the sea.