LICINIUS II Constantine the Great Nephew Ancient Roman Coin Jupiter cult i40281

Item: i40281

Authentic Ancient

Coin of:

 Licinius
II ‘Junior’ – Roman Caesar: 317-324 A.D. –

Bronze AE3 20mm (2.93 grams) Heraclea mint: 321-324 A.D.
Reference: RIC 54 (Heraclea)
DNVALLICINLICINIVSNOBC – Helmeted, cuirassed bust left, holding spear over
shoulder and shield.
IOVICONSERVATORI Exe: X over IIΓ/SMHA – 
Jupiter
standing left, holding Victory
on globe and scepter; eagle with wreath in beak to left, seated captive to
right.

You are bidding on the exact item pictured,

Authenticity.

Symbols of Zeus ( Jupiter ) are the
thunderbolt
,
eagle
,
bull
, and
oak.
In addition to his Indo-European inheritance, the classical “cloud-gatherer”
also derives certain iconographic traits from the cultures of the
Ancient Near East
, such as the
scepter
. Zeus is frequently depicted by Greek
artists in one of two poses: standing, striding forward, with a thunderbolt
leveled in his raised right hand, or seated in majesty.

In

Roman mythology

,

Jupiter
or

Jove was the

king of the gods

, and the god of

sky and

thunder
. He

is

the equivalent of Zeus

in the

Greek pantheon

. He was called Iuppiter (or Diespiter)

Optimus Maximus (“Father God the Best and Greatest”). As the patron deity of

ancient

Rome
, he ruled over laws and social order. He was the chief god of the

Capitoline Triad

, with sister/wife

Juno

. Jupiter is also the father of the god

Mars

with Juno. Therefore, Jupiter is the grandfather of

Romulus and Remus

, the legendary founders of Rome. Jupiter was venerated in

ancient Roman religion

, and is still venerated in

Roman Neopaganism

. He is a son of

Saturn

, along with brothers

Neptune

and

Pluto

.

He is also the brother/husband of

Ceres

(daughter of Saturn and mother of

Proserpina
),

brother of Veritas

(daughter of Saturn), and father of

Mercury

.

Valerius Licinianus Licinius, Licinius II or Licinius the

Younger (approx. 315-326), was the son of Roman emperor

Licinius
.

He nominally served as

Caesar

in the eastern empire from 317 to 324 A.D while his father was

Augustus

. His mother was Licinius’ wife

Flavia Julia Constantia

, who was also the half-sister of

Constantine I

.

After his defeat by Constantine at the

Battle of Chrysopolis

, Licinius the elder was initially spared and placed in

captivity at

Thessalonica

. However, within a year Constantine seems to have regretted his

leniency and the former Emperor was hanged.

The younger Licinius, who was Constantine’s nephew, also fell victim to the

emperor’s suspicions and was killed, probably in the context of the execution of

Crispus
in

326.

Other reports relate that Licinius the younger was forced into slavery in the

imperial textile factories in Africa, where he is noted in 336. However, the

imperial rescript of 336 makes it clear that the “son of Licinianus” referred to

was not Licinius II as it directs that he be reduced to the slave status of his

birth. No son of Constantine’s sister would have been referred to in this

manner.

In
ancient Roman religion
and
myth
, Jupiter (Latin:
Iuppiter) or Jove is the
king of the gods
and the
god of sky
and
thunder
. Jupiter was the chief deity of Roman
state religion throughout the
Republican
and
Imperial
eras, until the Empire
came under Christian rule
. In
Roman mythology
, he negotiates with
Numa Pompilius
, the second
king of Rome
, to establish principles of Roman
religion such as sacrifice.

Jupiter is usually thought to have originated as a sky god. His identifying
implement is the
thunderbolt
, and his primary sacred animal is
the eagle, which held precedence over other birds in the taking of
auspices
and became one of the most common
symbols of the
Roman army
(see
Aquila
). The two emblems were often combined to
represent the god in the form of an eagle holding in its claws a thunderbolt,
frequently seen on Greek and Roman coins. As the sky-god, he was a divine
witness to oaths, the sacred trust on which justice and good government depend.
Many of his functions were focused on the
Capitoline
(“Capitol Hill”), where the
citadel
was located. He was the chief deity of
the
early Capitoline Triad
with
Mars
and
Quirinus
. In the
later Capitoline Triad
, he was the central
guardian of the state with
Juno
and
Minerva
. His sacred tree was the oak.

The Romans regarded Jupiter as the
equivalent
of Greek

Zeus, and in
Latin literature
and
Roman art
, the myths and iconography of Zeus
are adapted under the name Iuppiter. In the Greek-influenced tradition,
Jupiter was the brother of
Neptune
and
Pluto
. Each presided over one of the three
realms of the universe: sky, the waters, and the underworld. The
Italic
Diespiter was also a sky god who
manifested himself in the daylight, usually but not always identified with
Jupiter. The
Etruscan
counterpart was
Tinia
and
Hindu
counterpart is
Indra
.

Relation to other gods

Archaic Triad

The Archaic Triad is a theological structure (or system) consisting of the
gods Jupiter, Mars and Quirinus. It was first described by Wissowa, and the
concept was developed further by Dumézil. The three-function hypothesis of
Indo-European society
advanced by Dumézil holds
that in prehistory, society was divided into three classes (priests, warriors
and craftsmen) which had as their religious counterparts the divine figures of
the sovereign god, the warrior god and the civil god. The sovereign function
(embodied by Jupiter) entailed omnipotence; thence, a domain extended over every
aspect of nature and life. The colour relating to the sovereign function is
white.

The three functions are interrelated with one another, overlapping to some
extent; the sovereign function, although essentially religious in nature, is
involved in many ways in areas pertaining to the other two. Therefore, Jupiter
is the “magic player” in the founding of the Roman state and the fields of war,
agricultural plenty, human fertility and welth.

Capitoline Triad

Capitoline Triad

The Capitoline Triad was introduced to Rome by the Tarquins. Dumézil thinks
it might have been an Etruscan (or local) creation based on Vitruvius’ treatise
on architecture, in which the three deities are associated as the most
important. It is possible that the Etruscans paid particular attention to
Menrva
(Minerva) as a goddess of destiny, in
addition to the royal couple Uni (Juno) and Tinia (Jupiter).^[169]
In Rome, Minerva later assumed a military aspect under the influence of
Athena Pallas
(Polias). Dumézil argues that
with the advent of the Republic, Jupiter became the only king of Rome, no longer
merely the first of the great gods.

Jupiter and Minerva

Apart from being protectress of the arts and craft as Minerva Capta, who was
brought from Falerii, Minerva’s association to Jupiter and relevance to Roman
state religion is mainly linked to the
Palladium
, a wooden statue of Athena that could
move the eyes and wave the spear. It was stored in the penus interior,
inner penus of the aedes Vestae, temple of Vesta and considered the most
important among the
pignora imperii
, pawns of dominion, empire.^[170]
In Roman traditional lore it was brought from Troy by Aeneas. Scholars though
think it was last taken to Rome in the third or second century BC.

Juno and Fortuna

The divine couple received from Greece its matrimonial implications, thence
bestowing on Juno the role of tutelary goddess of marriage (Iuno Pronuba).

The couple itself though cannot be reduced to a Greek apport. The association
of Juno and Jupiter is of the most ancient Latin theology.
Praeneste
offers a glimpse into original Latin
mythology: the local goddess
Fortuna
is represented as milking two infants,
one male and one female, namely Jove (Jupiter) and Juno. It seems fairly safe to
assume that from the earliest times they were identified by their own proper
names and since they got them they were never changed through the course of
history: they were called Jupiter and Juno. These gods were the most ancient
deities of every Latin town. Praeneste preserved divine filiation and infancy as
the sovereign god and his paredra Juno have a mother who is the primordial
goddess Fortuna Primigenia.^[174]
Many terracotta statuettes have been discovered which represent a woman with a
child: one of them represents exactly the scene described by Cicero of a woman
with two children of different sex who touch her breast. Two of the votive
inscriptions to Fortuna associate her and Jupiter: ” Fortunae Iovi puero…” and
“Fortunae Iovis puero…”

In 1882 though R. Mowat published an inscription in which Fortuna is called
daughter of Jupiter, raising new questions and opening new perspectives
in the theology of Latin gods. Dumezil has elaborated an interpretative theory
according to which this aporia would be an intrinsic, fundamental feature
of Indoeuropean deities of the primordial and sovereign level, as it finds a
parallel in Vedic religion. The contradiction would put Fortuna both at the
origin of time and into its ensuing diachronic process: it is the comparison
offered by Vedic deity
Aditi
, the Not-Bound or Enemy of
Bondage, that shows that there is no question of choosing one of the two
apparent options: as the mother of the
Aditya
she has the same type of relationship
with one of his sons,
Dakṣa
, the minor sovereign. who represents the
Creative Energy, being at the same time his mother and daughter, as is
true for the whole group of sovereign gods to which she belongs. Moreover Aditi
is thus one of the heirs (along with
Savitr
) of the opening god of the Indoiranians,
as she is represented with her head on her two sides, with the two faces looking
opposite directions. The mother of the sovereign gods has thence two solidal but
distinct modalities of duplicity, i.e. of having two foreheads and a double
position in the genealogy. Angelo Brelich has interpreted this theology as the
basic opposition between the primordial absence of order (chaos) and the
organisation of the cosmos.

Janus

The relation of Jupiter to Janus is problematic. Varro defines Jupiter as the
god who has potestas (power) over the forces by which anything happens in
the world. Janus, however, has the privilege of being invoked first in rites,
since in his power are the beginnings of things (prima), the appearance
of Jupiter included.

Saturn

The
Latins
considered Saturn the predecessor of
Jupiter. Saturn reigned in
Latium
during a mythical
Golden Age
reenacted every year at the festival
of Saturnalia
. Saturn also retained primacy in
matters of agriculture and money. Unlike the Greek tradition of
Cronus
and Zeus, the usurpation of Saturn as
king of the gods by Jupiter was not viewed by the Latins as violent or hostile;
Saturn continued to be revered in his temple at the foot of the Capitol Hill,
which maintained the alternative name Saturnius into the time of Varro.^[182]
A. Pasqualini has argued that Saturn was related to Iuppiter Latiaris,
the old Jupiter of the Latins, as the original figure of this Jupiter was
superseded on the Alban Mount, whereas it preserved its gruesome character in
the ceremony held at the sanctuary of the Latiar Hill in Rome which involved a
human sacrifice and the aspersion of the statue of the god with the blood of the
victim.

Fides

The abstract
personification
Fides (“Faith, Trust”) was one
of the oldest gods associated with Jupiter. As guarantor of public faith, Fides
had her temple on the Capitol (near that of Capitoline Jupiter).

Genius

Augustine quotes Varro who explains the genius as “the god who is in
charge and has the power to generate everything” and “the rational spirit of all
(therefore, everyone has their own)”. Augustine concludes that Jupiter should be
considered the genius of the universe.

G. Wissowa advanced the hypothesis that Semo
Sancus
is the genius of Jupiter.^[189]
W. W. Fowler has cautioned that this interpretation looks to be an anachronism
and it would only be acceptable to say that Sancus is a Genius Iovius, as
it appears from the Iguvine Tables.

Censorinus cites
Granius Flaccus
as saying that “the Genius was
the same entity as the Lar” in his lost work De Indigitamentis. Dumézil
opines that the attribution of a Genius to the gods should be earlier than its
first attestation of 58 BC, in an inscription which mentions the Iovis Genius.

A connection between Genius and Jupiter would be apparent in
Plautus
‘ comedy
Amphitryon
, in which Jupiter takes up the
looks of Alcmena
‘s husband in order to seduce her: J.
Hubeaux sees there a reflection of the story that
Scipio Africanus
‘ mother conceived him with a
snake that was in fact Jupiter transformed. Scipio himself claimed that only he
would rise to the mansion of the gods through the widest gate.

It is noteworthy that among the Etruscan Penates there is a Genius
Iovialis who comes after Fortuna and Ceres and before Pales . Genius
Iovialis is one of the earthly Penates and not one of the Penates of
Jupiter though, as these were located in region I of Martianus Capella’ s
division of Heaven, while Genius appear in regions V and VI along with Ceres,
Favor (possibly a Roman approximation to an Etruscan male manifestation of
Fortuna) and Pales.

Victoria

Coin with
laureate
head of Jupiter (obverse)
and (reverse) Victory, standing (“ROMA” below in
relief
)

Victoria was connected to Iuppiter Victor in his role as bestower of
military victory. Jupiter, as a sovereign god, was considered as having the
power to conquer anyone and anything in a supernatural way; his contribution to
military victory was different from that of
Mars
(god of military valour). Victoria appears
first on the reverse of coins representing Venus (driving the quadriga of
Jupiter, with her head crowned and with a palm in her hand) during the first
Punic War. Sometimes, she is represented walking and carrying a trophy.

A temple was dedicated to the goddess afterwards on the Palatine, testifying
to her high station in the Roman mind. When
Hieron of Syracuse
presented a golden statuette
of the goddess to Rome, the Senate had it placed in the temple of Capitoline
Jupiter among the greatest (and most sacred) deities. Although Victoria played a
significant role in the religious ideology of the late Republic and the Empire,
she is undocumented in earlier times. A function similar to hers may have been
played by the little-known
Vica Pota
..