Pella Macedonia Capital 158BC Apollo & Tripod Ancient Greek Coin i31969

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Item: i31969

 

 Authentic Ancient

Coin of:

Greek city of Pella in Macedonia

 Bronze 17mm (4.39 grams) Struck 158-88 B.C.

Reference: Sear 1447; B.M.C. 5.14

Laureate head of Apollo right.

ΠEΛ-ΛHΣ either side of tripod.

Pella became the capital of the Macedonian kingdom under

Archelaus, in succession to Aigai. Following the Roman conquest in 168 B.C.,

Pella was the capital of the third republic. Its issues are often in the name of

the Bottiaians, the original inhabitants of the district in which Pella was

situated.

You are bidding on the exact

item pictured, provided with a Certificate of Authenticity and Lifetime

Guarantee of Authenticity.

2nd century AD Roman statue of Apollo depicting the god's attributes—the lyre and the snake Python

In

Greek

and

Roman mythology

, Apollo
,

is one of the most important and diverse of the

Olympian deities

. The ideal of the

kouros
(a

beardless youth), Apollo has been variously recognized as a god of light and the

sun; truth and prophecy;

archery
;

medicine and healing; music, poetry, and the arts; and more. Apollo is the son

of Zeus
and

Leto, and has a

twin

sister, the chaste huntress

Artemis
.

Apollo is known in Greek-influenced

Etruscan mythology

as Apulu. Apollo was worshiped in both

ancient Greek

and

Roman religion

, as well as in the modern

Greco

Roman

Neopaganism

.

As the patron of Delphi

(Pythian Apollo), Apollo was an

oracular

god — the prophetic deity of the

Delphic Oracle
.

Medicine and healing were associated with Apollo, whether through the god

himself or mediated through his son

Asclepius
,

yet Apollo was also seen as a god who could bring ill-health and deadly

plague

as well as one who had the ability to cure. Amongst the god’s

custodial charges, Apollo became associated with dominion over

colonists

, and as the patron defender of herds and flocks. As the leader of

the Muses
(Apollon

Musagetes) and director of their choir, Apollo functioned as the patron god

of music and poetry
.

Hermes
created

the lyre
for him,

and the instrument became a common

attribute

of Apollo. Hymns sung to Apollo were called

paeans
.

In Hellenistic times, especially during the third century BCE, as Apollo

Helios he became identified among Greeks with

Helios
,

god of

the sun
, and his sister Artemis similarly equated with

Selene
,

goddess

of the moon
.

In Latin texts, on the other hand, Joseph Fontenrose declared himself unable to

find any conflation of Apollo with

Sol

among the

Augustan poets

of the first century, not even in the conjurations of

Aeneas
and

Latinus
in

Aeneid
XII

(161–215).

Apollo and Helios/Sol remained separate beings in literary and mythological

texts until the third century CE.

A sacrificial tripod was a type of

altar
used by the

ancient Greeks. The most famous was the

Delphic

tripod
, on

which the Pythian

priestess
took her seat to deliver the

oracles
of the

deity. The seat was formed by a circular slab on the top of the tripod, on which

a branch of

laurel

was deposited when it was unoccupied by the priestess. In this sense,

by Classical times the tripod was sacred to

Apollo
. The

mytheme
of

Heracles

contesting with Apollo for the tripod appears in vase-paintings older than the

oldest written literature. The oracle originally may have been related to the

primal deity, the Earth.

Another well-known tripod was the

Plataean Tripod

, made from a tenth part of the spoils taken from the

Persian

army after the

Battle of Plataea

. This consisted of a golden basin, supported by a

bronze

serpent

with three heads (or three serpents intertwined), with a list of the

states that had taken part in the war inscribed on the coils of the serpent. The

golden bowl was carried off by the

Phocians
during

the

Third Sacred War

; the stand was removed by the emperor

Constantine

to

Constantinople

(modern

Istanbul
),

where it still can be seen in the

hippodrome

, the Atmeydanı, although in damaged condition, the heads

of the serpents disappeared however one is now on display at the nearby Istanbul

Archaeology Museums. The inscription, however, has been restored almost

entirely. Such tripods usually had three ears (rings which served as

handles) and frequently had a central upright as support in addition to the

three legs.

Tripods frequently are mentioned by

Homer
as prizes

in

athletic games

and as complimentary gifts; in later times, highly decorated

and bearing inscriptions, they served the same purpose. They also were used as

dedicatory offerings

to the deities, and in the dramatic contests at the

Dionysia

the victorious

choregus

(a wealthy citizen who bore the expense of equipping and training

the chorus) received a crown and a tripod. He would either dedicate the tripod

to some deity or set it upon the top of a marble structure erected in the form

of a small circular temple in a street in

Athens
, called

the street of tripods, from the large number of memorials of this kind.

One of these, the

Choragic Monument of Lysicrates

, erected by him to commemorate his victory

in a dramatic contest in

335 BC
, still

stands. The form of the victory tripod, now missing from the top of the

Lysicrates monument, has been rendered variously by scholars since the

eighteenth century.

The scholar

Martin L. West

writes that the sibyl at Delphi shows many traits of

shamanistic

practices, likely inherited or influenced from Central Asian

practices. He cites her sitting in a cauldron on a tripod, while making her

prophecies, her being in an ecstatic trance state, similar to shamans, and her

utterings, unintelligible.

According to Herodotus (The Histories, I.144), the victory tripods were not

to be taken from the temple sanctuary precinct, but left there for dedication.

Pella (Greek:

Πέλλα), an ancient city located in

Pella Prefecture

of

Macedonia

in Greece

, was the

capital

of the

ancient

kingdom

of

Macedon

. A common

folk etymology

is traditionally given for the name Pella, ascribing

it to a form akin to the

Doric

Apella
,

originally meaning a ceremonial location where decisions were made.

However, the local form of Greek was not Doric, and the word exactly matches

standard Greek pélla “stone”, undoubtedly referring to a famous landmark

from the time of its foundation.

//

 History

The city was founded by

Archelaus

(413–399

BC) as the capital of his kingdom, replacing the older palace-city of

Aigai
(Vergina).

After this, it was the seat of the king

Philip II

and of

Alexander

, his son. In

168 BC
, it was

sacked by the

Romans
,

and its treasury transported to

Rome. Later, the

city was destroyed by an

earthquake

and eventually was rebuilt over its ruins. By 180 AD,

Lucian
could

describe it in passing as “now insignificant, with very few inhabitants”.

Pella is first mentioned by

Herodotus

of

Halicarnassus
(VII, 123) in relation to

Xerxes

‘ campaign and by

Thucydides

(II, 99,4 and 100,4) in relation to Macedonian expansion and the war against

Sitalces
,

the king of the Thracians

. According to

Xenophon
,

in the beginning of the 4th century BC, it was the largest Macedonian city. It

was probably built as the capital of the kingdom by Archelaus, although there

appears to be some possibility that it may have been

Amyntas

. It attracted Greek artists such the painter

Zeuxis

, the poet

Timotheus

of

Miletus
and the

tragic author

Euripides

who finishes his days there writing and producing Archelaus.

Archelaus invited the painter

Zeuxis
, the

greatest painter of the time, to decorate it. He was later the host of the

Athenian playwright

Euripides

in his retirement. Euripides

Bacchae

premiered here, about

408 BC
. Pella

was the birthplace of Philip II and of Alexander, his son. The hilltop

palace
of

Philip, where Aristotle

tutored young Alexander, is being excavated.

In antiquity, Pella was a port connected to the

Thermaic Gulf

by a navigable

inlet
, but the

harbor has silted, leaving the site landlocked. The reign of

Antigonus

likely represented the height of the city, as this is the period

which has left us the most archaeological remains.

Pella is further mentioned by

Polybius

and Livy
as the

capital of

Philip V

and of

Perseus

during the

Macedonian Wars

, fought against the

Roman Republic

. In the writings of Livy, we find the only description of how

the city looked in 167 BC

to

Lucius Aemilius Paulus Macedonicus

, the Roman who defeated Perseus at the

battle

of Pydna
:

…[Paulus] observed that it was not without good reason that it had been

chosen as the royal residence. It is situated on the south-west slope of a

hill and surrounded by a marsh too deep to be crossed on foot either in

summer or winter. The citadel the “Phacus,” which is close to the city,

stands in the marsh itself, projecting like an island, and is built on a

huge substructure which is strong enough to carry a wall and prevent any

damage from the infiltration from the water of the lagoon. At a distance it

appears to be continuous with the city wall, but it is really separated by a

channel which flows between the two walls and is connected with the city by

a bridge. Thus it cuts off all means of access from an external foe, and if

the king shut anyone up there, there could be no possibility of escape

except by the bridge, which could be very easily guarded..[3]

The famous poet Aratus

died in Pella ca

240 BC
. Pella

was sacked by the Romans in

168 BC
, when

its treasury was transported to Rome.

In the

Roman province of Macedonia

, Pella was the capital of the third district,

and was possibly the seat of the Roman governor. Crossed by the

Via

Egnatia
[4],

Pella remained a significant point on the route between

Dyrrachium

and

Thessalonika

. Cicero

stayed there in

58 BC
, but by

then the provincial seat had already transferred to Thessalonika. It was then

destroyed by earthquake in the first century BC; shops and workshops dating from

the catastrophe have been found with remains of their merchandise. The city was

eventually rebuilt over its ruins, which preserved them, but, ca

AD 180

,

Lucian

of Samosata

could describe it in passing as “now insignificant, with very few

inhabitants”

The city went into decline for reasons unknown (possibly an earthquake) by

the end of the 1st century BC. It was the object of a colonial deduction

sometime between 45 and

30 BC
; in any

case currency was marked Colonia Iulia Augusta Pella.

Augustus

settled peasants there whose land he had usurped to give to his veterans (Dio

Cassius LI, 4). But unlike other Macedonian colonies such as

Philippi
,

Dion

, and

Cassandreia

it never came under the jurisdiction of

ius

Italicum
or Roman law. Four pairs of colonial magistrates (IIvirs

quinquennales) are known for this period.

The decline of the city was rapid, in spite of colonization:

Dio

Chrysostom
( 33.27Or.)

and Lucian
both

attest to the ruin of the ancient capital of Philip II and Alexander; though

their accounts may be exaggerated. In fact, the Roman city was somewhat to the

west of and distinct from the original capital; which explains some

contradictions between coinage,

epigraphs

, and testimonial accounts. In the Byzantine period, the Roman site

was occupied by a fortified village.

 The

site

 Urban

area

The city is built on the

island

of Phacos

, a

promontory

which dominates the wetlands which encircle Pella to the south, and a lake which

opened to the sea in the

Hellenistic period

.

 Palace

The city wall mentioned by Livy is only partly known. It consists of a

rampart of crude bricks (about 50 cm square) raised on a stone foundation; some

of which has been located North of the palace, and some in the South next to the

lake. Inside the ramparts, three hills occupy the North, and the palace is

situated on a place of honour on the central hill. Partly searched, it occupied

a considerable area of perhaps 60,000 square metres). The plan is still not well

known, but has been related to that of the city plan (see diagram).

The Pella palace consisted of several — possibly seven — large architectural

groupings juxtaposed in two rows, each including a series of rooms arranged

around a central square courtyard, generally with porticos. Archaeologists have

thus far identified a

palaestra

and baths

. The south facade of the palace, towards the city, consisted of one

large (at least 153 metres long) portico, constructed on a two metres high

foundation. The relationship between the four principal complexes is defined by

an interruption in the portico occuupied by a triple

propylaeum

, 15 m high, which gave the palace an imposing monumental air when

seen from the city below.

Dating of the palace has posed some problems: the large buildings could date

the reign of Philip II, but other buildings appear to be earlier. The baths date

from the reign of

Cassander
.

The size of the complex indicates that, unlike the palace at Vergina, this

was not only a royal residence or a grandiose monument but also a place of

government which was required to accommodate a portion of the administrative

apparatus of the kingdom.

 Hippodamean

plan

The city proper was located south of and below the palace. Designed on a

grid plan

as envisaged by

Hippodamus

, it consists of two series of parallel streets which intersect at

right angles and form a grid of eight rows of rectangular blocks. These blocks

are of a consistent width — each approximately 45 m — and a length which varies

from 111 m to 152 m, 125 metres being the most common. The streets are from 9 to

10 metres wide, except for the middle East–West arterial, which is up to 15

metres wide. This street is the primary access to the central public

agora
, which

occupied a space of ten blocks. Two North-South streets area also a bit wider

than the rest, and serve to connect the city to the port further South. The

streets had sewers and were equipped to convey water to individual residences.

Lion Hunt Mosaic in Pella

This type of plan dates to the first half of the fourth century BC, and is

very close to the ideal in design, though it distinguishes itself by large block

size; Olynthus

in

Chalcidice

for example had blocks of 86.3×35 metres. On the other hand,

later Hellenistic urban foundations have blocks comparable to those of Pella:

112×58 m in Laodicea ad Mare

, or 120×46 m in

Aleppo
.

The agora holds pride of place in the centre of the city, occupying an

imposing 200 by 181 metres; 262×238 metres if one counts the potrticos which

surround it on all sides.

 Archaeology

Based on the descriptions provided by

Titus Livius

, the site was explored by 19th-century voyagers including

Holand, Pouqueville, Beaujour, Cousinéry, Delacoulonche, Hahn, Glotz and Struck.

The first excavation was begun by G. Oikonomos in 1914–15. The modern systematic

exploration of the site began in 1953 and full excavation was being done in

1957. The first series of campaigns were completed in 1963, more excavations

following in 1980. These digs continue in the section identified as the agora.

In February 2006, a farmer accidentally uncovered the largest tomb ever found

in Greece. The names of the noble

ancient Macedonian

family are still on inscriptions and painted sculptures

and walls have survived. The tomb dates to the

2nd

or 3rd century BC, following the rule of Alexander the Great.[6]

An atrium with a pebble-mosaic paving

Archaeological digs in progress since 1957 have uncovered a small part of the

city, which was made rich by Alexander and his heirs. The large agora or market

was surrounded by the shaded colonnades of

stoae, and streets

of enclosed houses with frescoed walls round inner courtyards. The first

trompe-l’oeil

wall murals imitating perspective views ever seen were on

walls at Pella. There are

temples

to Aphrodite
,

Demeter
and

Cybele
, and

Pella’s pebble-mosaic floors, dating after the lifetime of Alexander, are

famous: some reproduce Greek paintings; one shows a lion-griffin attacking a

stag, a familiar motif also of

Scythian

art, another depicts

Dionysus

riding a leopard.

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