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Roman Republic L. Cassius Q. f. Longinus moneyer
Silver Denarius 18mm Rome mint, struck circa 78 or 76/75 B.C.
Reference: Cassia 6; Sydenham 779; Crawford 386/1
Certification: NGC Ancients Ch VF 4238772-053
Ivy-wreathed head of Liber (or Bacchus) right, thyrsos over shoulder.
L·CASSI·Q·F, Vine-wreathed head of Libera left.
This denarius is believed to have been struck by the same L. Cassius Longinus who went on to serve as praetor in 66 BC. The depiction of Father Liber on the obverse and Libera on the reverse may advertise the foundation of a temple near to the Circus Maximus on the Aventine Hill of Ceres, Liber and Libera by the moneyer’s ancestor, Spurius Cassius in B.C. 493.
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In ancient Roman religion and mythology, Liber, also known as Liber Pater (“the free Father”), was a god of viticulture and wine, fertility and freedom. He was a patron deity of Rome’s plebeians and was part of their Aventine Triad. His festival of Liberalia (March 17) became associated with free speech and the rights attached to coming of age. His cult and functions were increasingly associated with Romanised forms of the Greek Dionysus/Bacchus, whose mythology he came to share.
In ancient Roman religion, Libera was a goddess of wine, fertility and freedom.
Libera was the female equivalent of Liber (freedom), while her name is in the feminine form. She was originally an Italic goddess; at some time during Rome’s Regal or very early Republican eras, she was paired with Liber, also known as Liber Pater (The Free Father), Roman god of wine, male fertility, and a guardian of plebeian freedoms. She enters Roman history as Triadic cult companion to Ceres and Liber, in a temple established on the Aventine Hill ca. 493 BC. The location and context of this early cult mark her association with Rome’s commoner-citizens, or plebs; she might have been offered cult on March 17 as part of Liber’s festival, Liberalia, or at some time during the seven days of Cerealia (mid to late April); in the latter festival she would have been subordinate to Ceres. Otherwise, her relationship to her Aventine cult partners is uncertain; she has no known native mythography.
With the institution of the ritus graecia cereris (Greek rites of Ceres) c.205 BC, Libera was officially identified with Ceres’ daughter Proserpina and acquired with her a Romanised form of Greek mystery rite and attendant mythology, based on Greek cults to Demeter and Persephone. In the late Republican era, Cicero describes Liber and Libera as Ceres’ children. At around the same time, possibly in the context of popular or religious drama, Hyginus equates her with Greek Ariadne, as bride to Liber’s Greek equivalent, Dionysus: therefore her mythographic associations and identity seem far from straightforward. The older and newer forms of her cult and rites, and their diverse associations, persisted well into the late Imperial era. St. Augustine (AD 354 – 430) observes that Libera is concerned with female fertility, as Liber is with male fertility.
In ancient Roman religion, Ceres was a goddess of agriculture, grain crops, fertility and motherly relationships. Her cult took many forms. She was the central deity in Rome’s so-called plebeian or Aventine Triad, and was paired with her daughter Proserpina in what Romans described as “the Greek rites of Ceres”. She played an essential role in Roman marriage and in funeral rites. Her seven-day April festival of Cerealia included the popular Ludi Ceriales (Ceres’ games). She was honoured in the May lustration of fields at the Ambarvalia festival, and at harvest-time. She is the only one of Rome’s many agricultural deities to be listed among the Di Consentes, Rome’s equivalent to the Twelve Olympians of Greek mythology. Her functions and cults were held equivalent to those of the Greek goddess Demeter, whose mythology she came to share.
 Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in Greek mythology. Alcohol, especially wine, played an important role in Greek culture with Dionysus being an important reason for this life style. His name, thought to be a theonym in Linear B tablets as di-wo-nu-so (KH Gq 5 inscription), shows that he may have been worshipped as early as c. 1500-1100 BC by Mycenean Greeks; other traces of the Dionysian-type cult have been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In some cults, he arrives from the east, as an Asiatic foreigner; in others, from Ethiopia in the South. He is a god of epiphany, “the god that comes”, and his “foreignness” as an arriving outsider-god may be inherent and essential to his cults. He is a major, popular figure of Greek mythology and religion, and is included in some lists of the twelve Olympians. Dionysus was the last god to be accepted into Mt. Olympus. He was the youngest and the only one to have a mortal mother. His festivals were the driving force behind the development of Greek theatre. Modern scholarship categorises him as a dying-and-rising god.
The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or “man-womanish”. In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession (thiasus) is made up of wild female followers (maenads) and bearded satyrs with erect penises. Some are armed with the thyrsus, some dance or play music. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers, and is sometimes attended by a bearded, drunken Silenus. This procession is presumed to be the cult model for the human followers of his Dionysian Mysteries. In his Thracian mysteries, he wears the bassaris or fox-skin, symbolizing a new life. Dionysus is represented by city religions as the protector of those who do not belong to conventional society and thus symbolizes everything which is chaotic, dangerous and unexpected, everything which escapes human reason and which can only be attributed to the unforeseeable action of the gods.
Also known as Bacchus, the name adopted by the Romans and the frenzy he induces, bakkheia. His thyrsus is sometimes wound with ivy and dripping with honey. It is a beneficent wand but also a weapon, and can be used to destroy those who oppose his cult and the freedoms he represents. He is also called Eleutherios (“the liberator”), whose wine, music and ecstatic dance frees his followers from self-conscious fear and care, and subverts the oppressive restraints of the powerful. Those who partake of his mysteries are possessed and empowered by the god himself. His cult is also a “cult of the souls”; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead.
In Greek mythology, he is presented as a son of Zeus and the mortal Semele, thus semi-divine or heroic: and as son of Zeus and Persephone or Demeter, thus both fully divine, part-chthonic and possibly identical with Iacchus of the Eleusinian Mysteries. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity and a more powerful god from Thrace or Phrygia such as Sabazios or Zalmoxis.
The Roman Republic (Latin: Res Publica Romana) was the period of the ancient Roman civilization when the government operated as a republic.
It began with the overthrow of the Roman monarchy, traditionally dated around 509 BC, and its replacement by a government headed by two consuls, elected annually by the citizens and advised by a senate. A complex constitution gradually developed, centered on the principles of a separation of powers and checks and balances. Except in times of dire national emergency, public offices were limited to one year, so that, in theory at least, no single individual could dominate his fellow citizens.
Roman provinces on the eve of the assassination of Julius Caesar, 44 BC
Roman society was hierarchical. The evolution of the Constitution of the Roman Republic was heavily influenced by the struggle between the patricians, Rome’s land-holding aristocracy, who traced their ancestry back to the early history of the Roman kingdom, and the plebeians, the far more numerous citizen-commoners. Over time, the laws that gave patricians exclusive rights to Rome’s highest offices were repealed or weakened, and a new aristocracy emerged from among the plebeian class. The leaders of the Republic developed a strong tradition and morality requiring public service and patronage in peace and war, making military and political success inextricably linked.
During the first two centuries of its existence the Republic expanded through a combination of conquest and alliance, from central Italy to the entire Italian peninsula. By the following century it included North Africa, the Iberian Peninsula, Greece, and what is now southern France. Two centuries after that, towards the end of the 1st century BC, it included the rest of modern France, and much of the eastern Mediterranean. By this time, despite the Republic’s traditional and lawful constraints against any individual’s acquisition of permanent political powers, Roman politics was dominated by a small number of Roman leaders, their uneasy alliances punctuated by a series of civil wars.
The victor in one of these civil wars, Octavian, reformed the Republic as a Principate, with himself as Rome’s “first citizen” (princeps). The Senate continued to sit and debate. Annual magistrates were elected as before, but final decisions on matters of policy, warfare, diplomacy and appointments were privileged to the princeps as “first among equals” later to be known as imperator due to the holding of imperium, from which the term emperor is derived. His powers were monarchic in all but name, and he held them for his lifetime, on behalf of the Senate and people of Rome.
The Roman Republic was never restored, but neither was it abolished, so the exact date of the transition to the Roman Empire is a matter of interpretation. Historians have variously proposed the appointment of Julius Caesar as perpetual dictator in 44 BC, the defeat of Mark Antony at the Battle of Actium in 31 BC, and the Roman Senate’s grant of extraordinary powers to Octavian under the first settlement and his adopting the title Augustus in 27 BC, as the defining event ending the Republic.
Many of Rome’s legal and legislative structures can still be observed throughout Europe and much of the world in modern nation states and international organizations. Latin, the language of the Romans, has influenced language across parts of Europe and the world.
The Constitution of the Roman Republic was an unwritten set of guidelines and principles passed down mainly through precedent. The Roman constitution was not formal or even official. It was largely unwritten, uncodified, and constantly evolving.
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