Greek city of Sinope in Paphlagonia Bronze 19mm (7.95 grams) Struck under Mithradates VI the Great circa 105-90 B.C. or circa 90-85 B.C. Reference: Sear 3709; HGC 7, 419; SNG Black Sea 1536-1540; B.M.C. 13. 100,47 Aegis, with Gorgon’s head at center. Nike advancing right, carrying palm-branch; ΣΙΝ-ΩΠΗΣ across field.
Sinope was the city of Mithradates VI’s birth.
A colony of Miletos, founded in the 7th century B.C., Sinope rose to become the most important city on the southern coastline of the Black Sea.
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In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was originally a horror-creating apotropaic pendant showing the Gorgon‘s head. It was assimilated by the Olympian deities Zeus and Athena: both are said to have worn it as a protective pendant. It was assumed, among other godlike attributes, as a royal aegis, by rulers of the Hellenistic age, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo.
Homer refers to the Gorgon on four occasions, each time alluding to the head alone, as if the creature had no body. Jane Ellen Harrison notes that “Medusa is a head and nothing more…a mask with a body later appended”. Up to the 5th century BC, the head was depicted as particularly ugly, with a protruding tongue, boar tusks, puffy cheeks, her eyeballs staring fixedly on the viewer and the snakes twisting all around her.
The direct frontal stare, “seemingly looking out from its own iconographical context and directly challenging the viewer”, was highly unusual in ancient Greek art. In some instances a beard (probably standing for streaks of blood) was appended to her chin, making her appear as an orgiastic deity akin to Dionysus.
Gorgoneia that decorate the shields of warriors on mid-5th century Greek vases are considerably less grotesque and menacing. By that time, the Gorgon had lost her tusks and the snakes were rather stylized. The Hellenistic marble known as the Medusa Rondanini illustrates the Gorgon’s eventual transformation into a beautiful woman.
The aegis or aigis, as stated in the Iliad, is carried by Athena and Zeus, but its nature is uncertain. It had been interpreted as an animal skin or a shield, sometimes bearing the head of a Gorgon. There may be a connection with a deity named Aex or Aix, a daughter of Helios and a nurse of Zeus or alternatively a mistress of Zeus (Pseudo-Hyginus, Astronomica 2. 13). The aegis of Athena is referred to in several places in the Iliad. It produced a sound as from a myriad roaring dragons (Iliad, 4.17) and was borne by Athena in battle “… and among them went bright-eyed Athene, holding the precious aegis which is ageless and immortal: a hundred tassels of pure gold hang fluttering from it, tight-woven each of them, and each the worth of a hundred oxen.”
Medusa, the gorgon, was beheaded by the hero Perseus, who thereafter used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion. Gorgons were a popular image in Greek mythology, appearing in the earliest of written records of Ancient Greek religious beliefs such as those of Homer, which may date to as early as 1194–1184 BC. Because of their legendary and powerful gaze that could turn one to stone, images of the Gorgons were put upon objects and buildings for protection.
The modern concept of doing something “under someone’s aegis” means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word aegis is identified with protection by a strong force with its roots in Greek mythology and adopted by the Romans; there are parallels in Norse mythology and in Egyptian mythology as well, where the Greek word aegis is applied by extension.
In Greek mythology, Nike was a goddess who personified victory, also known as the Winged Goddess of Victory. The Roman equivalent was Victoria. Depending upon the time of various myths, she was described as the daughter of Pallas (Titan) and Styx (Water) and the sister of Kratos (Strength), Bia (Force), and Zelus (Zeal). Nike and her siblings were close companions of Zeus, the dominant deity of the Greek pantheon. According to classical (later) myth, Styx brought them to Zeus when the god was assembling allies for the Titan War against the older deities. Nike assumed the role of the divine charioteer, a role in which she often is portrayed in Classical Greek art. Nike flew around battlefields rewarding the victors with glory and fame.
Nike is seen with wings in most statues and paintings. Most other winged deities in the Greek pantheon had shed their wings by Classical times. Nike is the goddess of strength, speed, and victory. Nike was a very close acquaintance of Athena, and is thought to have stood in Athena’s outstretched hand in the statue of Athena located in the Parthenon. Nike is one of the most commonly portrayed figures on Greek coins.
Names stemming from Nike include amongst others: Nicholas, Nicola, Nick, Nikolai, Nils, Klaas, Nicole, Ike, Niki, Nikita, Nika, Niketas, and Nico.
Mithridates VI |
King of Kings |
Mithridates VI from the Musée du Louvre
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Reign |
120–63 BC |
Successor |
Pharnaces II of Pontus |
Father |
Mithridates V of Pontus |
Mother |
Laodice VI |
Mithridates VI or Mithradates VI (Greek: Μιθραδάτης), from Old Persian Mithradatha, “gift of Mithra“; 134–63 BC, also known as Mithradates the Great (Megas) and Eupator Dionysius, was king of Pontus and Armenia Minor in northern Anatolia (now Turkey) from about 120–63 BC. Mithridates is remembered as one of the Roman Republic’s most formidable and successful enemies, who engaged three of the prominent generals from the late Roman Republic in the Mithridatic Wars: Lucius Cornelius Sulla, Lucullus and Pompey. He was also the greatest ruler of the Kingdom of Pontus.
Sinop is a city with a population of 36,734 on İnce Burun (İnceburun, Cape Ince), by its Cape Sinop (Sinop Burnu, Boztepe Cape, Boztepe Burnu) which is situated on the most northern edge of the Turkish side of Black Sea coast, in the ancient region of Paphlagonia, in modern-day northern Turkey, historically known as Sinope. It is the capital of Sinop Province.
History
Long used as a Hittite port which appears in Hittite sources as “Sinuwa” (J. Garstang, The Hittite Empire, p. 74), the city proper was re-founded as a Greek colony from the city of Miletus in the 7th century BC (Xenophon, Anabasis 6.1.15; Diodorus Siculus 14.31.2; Strabo 12.545). Sinope flourished as the Black Sea port of a caravan route that led from the upper Euphrates valley (Herodotus 1.72; 2.34), issued its own coinage, founded colonies, and gave its name to a red arsenic sulfate mined in Cappadocia, called “Sinopic red earth” (Miltos Sinôpikê) or sinople.
Sinope escaped Persian domination until the early 4th century BC, and in 183 BC it was captured by Pharnaces I and became capital of the kingdom of Pontus. Lucullus conquered Sinope for Rome in 70 BC, and Julius Caesar established a Roman colony there, Colonia Julia Felix, in 47 BC. Mithradates Eupator was born and buried at Sinope, and it was the birthplace of Diogenes, of Diphilus, poet and actor of the New Attic comedy, of the historian Baton, and of the Christian heretic of the 2nd century AD, Marcion.
It remained with the Eastern Roman Empire or the Byzantines. It was a part of the Empire of Trebizond from the sacking of Constantinople by the Fourth Crusade in 1204 until the capture of the city by the Seljuk Turks of Rûm in 1214.
After 1261, Sinop became home to two successive independent emirates following the fall of the Seljuks: the Pervâne and the Candaroğlu. It was captured by the Ottomans in 1458.
In November 1853, at the start of the Crimean War, in the Battle of Sinop, the Russians, under the command of Admiral Nakhimov, destroyed an Ottoman frigate squadron in Sinop, leading Britain and France to declare war on Russia.
Sinop hosted a US military base that was important for intelligence during the cold war era. The US base was closed in 1992.
Explorer Bob Ballard discovered an ancient ship wreck north west of Sinop in the Black Sea and was shown on National Geographic.
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